3.0
The River Within
ByPublisher Description
“Powell has not written a pale imitation of The Crown or Downton Abbey . . . it’s a fresh look at the pressures our caste systems place upon all of us.” —Los Angeles Times
It is the summer of 1955. The body of Danny Masters is found by three of his friends in the river that runs through Starome, a village on the Richmond estate in North Yorkshire.
Alexander, one of the three friends that found Danny and the sole heir to Richmond Hall, has always been unpredictable but lately he has grown elusive, his behavior becoming increasingly erratic. His mother, Lady Venetia Richmond, is newly widowed and too busy trying to keep the sprawling family estate together to worry about Alexander, though she could use his help.
A second friend, Lennie Fairweather, “child of nature” and daughter of the late Sir Angus Richmond’s private secretary, has other things on her mind too. In love with Alexander, she longs to escape life with her over-protective father and domineering brother, Tom, who was also there when Danny’s body was discovered.
In the weeks that follow the tragic drowning, the river begins to give up its secrets. As the circumstances surrounding Danny’s death emerge, other stories surface that threaten to disrupt everybody’s plans and to destroy an entire way of life.
“[Powell’s] novel about love, class, and secrecy in 1950s England reads as if it were written in the era the characters inhabit, her style and tone reminiscent of an earlier generation of reticent yet emotionally brutal writers like Shirley Hazzard and Graham Greene. A mesmerizing escape.” —Kirkus Reviews (starred review)
“Evocative and engrossing.” —Heat Magazine
It is the summer of 1955. The body of Danny Masters is found by three of his friends in the river that runs through Starome, a village on the Richmond estate in North Yorkshire.
Alexander, one of the three friends that found Danny and the sole heir to Richmond Hall, has always been unpredictable but lately he has grown elusive, his behavior becoming increasingly erratic. His mother, Lady Venetia Richmond, is newly widowed and too busy trying to keep the sprawling family estate together to worry about Alexander, though she could use his help.
A second friend, Lennie Fairweather, “child of nature” and daughter of the late Sir Angus Richmond’s private secretary, has other things on her mind too. In love with Alexander, she longs to escape life with her over-protective father and domineering brother, Tom, who was also there when Danny’s body was discovered.
In the weeks that follow the tragic drowning, the river begins to give up its secrets. As the circumstances surrounding Danny’s death emerge, other stories surface that threaten to disrupt everybody’s plans and to destroy an entire way of life.
“[Powell’s] novel about love, class, and secrecy in 1950s England reads as if it were written in the era the characters inhabit, her style and tone reminiscent of an earlier generation of reticent yet emotionally brutal writers like Shirley Hazzard and Graham Greene. A mesmerizing escape.” —Kirkus Reviews (starred review)
“Evocative and engrossing.” —Heat Magazine
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Meet readers like you in the Fable For You feed, designed to build bookish communities6 Reviews
3.0

🦩Hannah Wilkinson🦩
Created 9 months agoShare
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GoodtimesSunshine
Created almost 4 years agoShare
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KelliMost
Created over 4 years agoShare
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Wanderaven
Created over 4 years agoShare
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“I'd heard about this one from some English bookish people I follow in the media much earlier this year and the premise intrigued me so that I was excited to request an ARC from the publisher, Europa. They granted this request and I jumped in...and then floundered.
Thinking back on it, I don't think that I recall any of those bookish people in England reporting back having actually read this one, and I suspect it's because they didn't want to provide a negative review or were just left unmotivated, which was my ultimate reason for failing to finish this one.
The good, here, is that I appreciated the actual writing (as in the words, the sentences, the language), and that's the primary reason I stuck with it for as long as I did. I unfortunately found the rest of the elements - the structure, the characterizations, the movement of the plot - all frustrating or simply not working for me.
In a year when I am very intentionally DNFing even books I've bought if they fail to snare me (or even just retain my bare curiosity), unfortunately the confusing timelines and the wholly unsympathetic characters just couldn't win.”

Michelle Frazier
Created over 4 years agoShare
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“I usually love historical fiction mystery books, but I could not get into this book. I wanted to like it. I tried, but I couldn't connect with the characters. I thought it was too disjointed and was moving too slow to push through to find out how everything is connected. I did not finish this book.
Thank you to the author, publisher, and NetGalley for a free audiobook ARC of this book in exchange for an honest review.”