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Told in the alternating voices of a family who moves from London to New York at the end of the Second World War, Nicholas Delbanco's memoiristic novel is a moving story about how a family of immigrants come to terms with life in America.
How does a German Jewish family from London blend a past filled with ancestral homes in Germany, relatives fleeing the Nazi regime, and an intellectual life in London with the strange shores of America where they emigrate in order to take advantage of the land of opportunity? How can one balance the romanticism of a native land with a desire to fit in to the new? How can one realize what is lost, and what is gained in the journey from England to America?
These are the questions that lie at the heart of "What Remains", a memoiristic novel imbued with both the personal experience and the considerable talent of one of America's finest writers.
How does a German Jewish family from London blend a past filled with ancestral homes in Germany, relatives fleeing the Nazi regime, and an intellectual life in London with the strange shores of America where they emigrate in order to take advantage of the land of opportunity? How can one balance the romanticism of a native land with a desire to fit in to the new? How can one realize what is lost, and what is gained in the journey from England to America?
These are the questions that lie at the heart of "What Remains", a memoiristic novel imbued with both the personal experience and the considerable talent of one of America's finest writers.
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About Nicholas Delbanco
Nicholas Delbanco has published twenty-four books of fiction and nonfiction. His most recent novels are The Count of Concord and Spring and Fall; his most recent works of nonfiction are The Countess of Stanlein Restored and The Lost Suitcase: Reflections on the Literary Life. As editor he has compiled the work of, among others, John Gardner and Bernard Malamud. Director of the Hopwood Awards Program at the University of Michigan, he has served as Chair of the Fiction Panel for the National Book Awards, received a Guggenheim Fellowship and, twice, a National Endowment for the Arts Writing Fellowship.
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