5.0
Weimar in Exile
ByPublisher Description
A magisterial history of the artists and writers who left Weimar when the Nazis came to power
In 1933 thousands of intellectuals, artists, writers, militants and other opponents of the Nazi regime fled Germany. They were, in the words of Heinrich Mann, “the best of Germany,” refusing to remain citizens in this new state that legalized terror and brutality.
Exiled across the world, they continued the fight against Nazism in prose, poetry, painting, architecture, film and theater. Weimar in Exile follows these lives, from the rise of national socialism to their return to a ruined homeland, retracing their stories, struggles, setbacks and rare victories.
The dignity in exile of Walter Benjamin, Ernst Bloch, Bertolt Brecht, Alfred Döblin, Hanns Eisler, Heinrich Mann, Thomas Mann, Anna Seghers, Ernst Toller, Stefan Zweig and many others provides a counterpoint to the story of Germany under the Nazis.
In 1933 thousands of intellectuals, artists, writers, militants and other opponents of the Nazi regime fled Germany. They were, in the words of Heinrich Mann, “the best of Germany,” refusing to remain citizens in this new state that legalized terror and brutality.
Exiled across the world, they continued the fight against Nazism in prose, poetry, painting, architecture, film and theater. Weimar in Exile follows these lives, from the rise of national socialism to their return to a ruined homeland, retracing their stories, struggles, setbacks and rare victories.
The dignity in exile of Walter Benjamin, Ernst Bloch, Bertolt Brecht, Alfred Döblin, Hanns Eisler, Heinrich Mann, Thomas Mann, Anna Seghers, Ernst Toller, Stefan Zweig and many others provides a counterpoint to the story of Germany under the Nazis.
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5.0
“A very thorough analysis of German intellectuals, political activists, artists and musicians who left Germany in 1933. This book is very valuable for a number of reasons - it has an excellent history of policies towards refugees in multiple countries - this provides the context of the exiles' lives wherever they went. It does not hide the extent to which both Stalinism and anti-Communist politics further victimized these anti-fascist emigres. It contains vivid stories of the lives of individual writers and artists and their fates. The epilogue is very powerfully written. It's very, very long, and sometimes repetitive, but worth the effort. I can't think of any other book like it.”
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