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3.5 

Uncanny Valley Girls

By Zefyr Lisowski
Uncanny Valley Girls by Zefyr Lisowski digital book - Fable

Publisher Description

An Electric Literature Best Nonfiction Book of the Year • A them Best LGBTQ+ Book of the Year • A Literary Hub Most Anticipated Book of the Year • An Autostraddle Most Anticipated October Read • A BookRiot Most Anticipated Queer Book of the Year

"In these extraordinary essays, Lisowski reads the entrails of her life like a witch and invites you along for the ride. How could you say no?" Carmen Maria Machado

From Lambda Award-winning poet Zefyr Lisowski, a sharply personal and expansive memoir-in-essays dedicated to the strange and absurd beauty of horror films, exploring the complications of gender, the insidiousness of class ascension, and the latent violence hidden in our own uncanny reflections.

This is how it worked: first I loved them, and then I loved myself.

At twenty-seven, poet Zefyr Lisowski found herself in the place she feared most: a locked psych ward. While inside, she turned to horror movies—her deepest, most constant comfort.

Rather than disturb, scary movies have always provided solace and connection for Lisowski, as they do many others—offering a vision of a world filled equally with beauty and pain, and a reason to reach out to others and hold them tight. After all, as Lisowski argues, what terrifies us most about these movies is our own uncanny reflection—and at the root of that fear, a desperate desire to love and be loved.

In these wide-ranging essays, Lisowski weaves theory and memoir into nuanced critiques of films such as The Texas Chain Saw Massacre and Saint Maud. From fears about sickness and disability, to trans narratives and the predator/victim complex, to the struggle to live in a world that wants you dead, she explores horror’s reciprocal impact on our culture and—by extension—our lives. Through it all, Lisowski lays bare her own complex biography—spanning from a trans childhood in the South to the sweaty dancefloors of Brooklyn—and the family, friends, and lovers that have bloomed with her into the present.

Deeply felt, blood-spattered, and brimming with care and wonder, Uncanny Valley Girls thrusts this seasoned poet to centerstage.

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Uncanny Valley Girls Reviews

3.5
“This book gave me a new perspective on horror classics I’d never considered, the constant alienation of underrepresented groups and the biases they face. I love how the author explored the coping mechanisms that some of these monsters and villains use to survive”
Loudly Crying Face“Thank you Zefyr Lisowski, Harper Publishing, and NetGalley for the ARC! I always hesitate to even rate memoirs. Who am I to assign a star rating to someone's life, someone's story? I didn't think about this when I requested this essay collection, which was more memoir than I had initially anticipated. It's not even that I don't enjoy memoirs- one of my favorites is a memoir. However, I really struggled through this one at times. As someone who also wrote about women in horror media for an undergrad thesis, I was so excited to read this essay collection. I was also excited to analyze horror media from a the perspective of a trans woman. Admittedly, I had not explored trans women very much in my thesis (it wasn't very good in general- I broke my leg and was on a bunch of painkillers while I was writing it). However, identifying as queer myself now has opened up a whole new world of interpretations. Horror has not always been kind to trans women, despite how steeped in queerness these movies usually are. I really enjoyed when Lisowski explored this and found myself looking at movies I've seen a million times in a new light. However, the inclusion of memoir passages took away from that sometimes. It certainly wasn't every single time- I really thought the passages describing her sexuality, family, grief, and mental health were good. I could very clearly see the connection in these instances to the movies that she'd be describing. At the same time, there were some chapters about relationships that I just couldn't get behind as much. I just don't see how some of these numerous, messy relationships connected to horror, other than being a clearly horrible experience for her. Additionally, the essay format of this collection could be repetitive at times. I read most of it in one or two big sittings and I found myself thinking "you've told this story before" on multiple occasions. I also think, while interesting, the last chapter about trans artist Greer Lankton felt a little out of place. On one hand, it solidified the author's comparison of being a trans woman with being "uncanny" like the dolls made by Lankton. However, while it still qualified as horror art, I think it would've been more well-rounded and less all over the place had the author continued to just analyze horror movies and novels. It felt strange also to end on that chapter and only just then define uncanny when I think it could've been explored more throughout. I think generally many of these essays could have benefitted from some shared themes to tie everything together more cohesively.”

About Zefyr Lisowski

Zefyr Lisowski is a Lambda award-winning trans and queer writer, artist, and North Carolinian living in New York City. A 2023 NYFA/NYSCA Fellow and 2023 Queer|Art Fellow, she's the author of the poetry collections Girl Work, winner of the 2022 Noemi Book Prize, and Blood Box, winner of the Black River Editor's Choice Award from Black Lawrence Press. Zefyr's work has appeared in The Believer, Electric Literature, Catapult, Literary Hub, Split This Rock, and elsewhere. From 2016 to 2024, she served as poetry co-editor for the Whiting Award-winning Apogee Journal. She's seen grave robbers twice.

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