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4.5 

They Can't Kill Us Until They Kill Us

By Hanif Abdurraqib & Eve L. Ewing
They Can't Kill Us Until They Kill Us by Hanif Abdurraqib & Eve L. Ewing digital book - Fable

Publisher Description

* 2018 "12 best books to give this holiday season" —TODAY (Elizabeth Acevedo)
* A "Best Book of 2017" —Rolling Stone (2018), NPR, BuzzfeedPaste MagazineEsquireChicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of BooksThe Los Angeles ReviewMichigan Daily
* American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads'
* Midwest Indie Bestseller

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.

In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.

In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

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They Can't Kill Us Until They Kill Us Reviews

4.5
“What a way to start the year. I stayed for the acknowledgements and would have stayed for anything he wrote, even his shopping list. An immediate auto read author.”
“Hanif Abdurraqib could publish a grocery list and I would read it; because I’d bet my life it would make me see groceries(and food in genera) in a more complex melancholic-ly beautiful way.”

About Hanif Abdurraqib

Hanif Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. His poetry has been published in Muzzle, Vinyl, PEN American, and various other journals. His essays and music criticism have been published in The FADER, Pitchfork, The New Yorker, and The New York Times. His first full length poetry collection, The Crown Ain't Worth Much, was released in June 2016 from Button Poetry. It was named a finalist for the Eric Hoffer Book Prize, and was nominated for a Hurston-Wright Legacy Award. With Big Lucks, he released a limited edition chapbook, Vintage Sadness, in summer 2017. His first collection of essays, They Can't Kill Us Until They Kill Us, was released in winter 2017 by Two Dollar Radio and was named a book of the year by Buzzfeed, Esquire, NPR, Oprah Magazine, Paste, CBC, The Los Angeles Review, Pitchfork, and The Chicago Tribune, among others. He is a Callaloo Creative Writing Fellow, an interviewer at Union Station Magazine, and a poetry editor at Muzzle Magazine. He is a member of the poetry collective Echo Hotel with poet/essayist Eve Ewing.
His next books are Go Ahead In The Rain, a biography of A Tribe Called Quest due out in 2019 by University of Texas Press, and They Don't Dance No' Mo', due out in 2020 by Random House.

Eve L. Ewing

Dr. Eve L. Ewing is a sociologist of education and a writer from Chicago. She is the author of Ghosts in the Schoolyard: Racism and School Closings on Chicago's South Side. She is also author of Electric Arches, which received awards from the American Library Association and the Poetry Society of America and was named one of the year's best books by NPR and the Chicago Tribune. She is the co-author (with Nate Marshall) of the play No Blue Memories: The Life of Gwendolyn Brooks. She also writes the Ironheart series for Marvel Comics. Ewing is an assistant professor at the University of Chicago School of Social Service Administration. Her work has been published in The New Yorker, The Atlantic, The New York Times, and many other venues.

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