3.5
The Vegetarian
ByPublisher Description
FROM HAN KANG, WINNER OF THE 2024 NOBEL PRIZE IN LITERATURE
“[Han Kang’s] intense poetic prose . . . exposes the fragility of human life.”—The Nobel Committee for Literature, in the citation for the Nobel Prize
A NEW YORK TIMES BESTSELLER
WINNER OF THE INTERNATIONAL BOOKER PRIZE
ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY
A KIRKUS REVIEWS BEST FICTION BOOK OF THE CENTURY
“Ferocious.”—The New York Times Book Review (Ten Best Books of the Year)
“Both terrifying and terrific.”—Lauren Groff
“Provocative [and] shocking.”—The Washington Post
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.
A Best Book of the Year: BuzzFeed, Entertainment Weekly, Wall Street Journal, Time, Elle, The Economist, HuffPost, Slate, Bustle, The St. Louis Dispatch, Electric Literature, Publishers Weekly
“[Han Kang’s] intense poetic prose . . . exposes the fragility of human life.”—The Nobel Committee for Literature, in the citation for the Nobel Prize
A NEW YORK TIMES BESTSELLER
WINNER OF THE INTERNATIONAL BOOKER PRIZE
ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY
A KIRKUS REVIEWS BEST FICTION BOOK OF THE CENTURY
“Ferocious.”—The New York Times Book Review (Ten Best Books of the Year)
“Both terrifying and terrific.”—Lauren Groff
“Provocative [and] shocking.”—The Washington Post
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.
A Best Book of the Year: BuzzFeed, Entertainment Weekly, Wall Street Journal, Time, Elle, The Economist, HuffPost, Slate, Bustle, The St. Louis Dispatch, Electric Literature, Publishers Weekly
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Meet readers like you in the Fable For You feed, designed to build bookish communitiesThe Vegetarian Reviews
3.5
“This is one of the most interesting books I’ve ever read. It had a very strong start, I was hooked and so intrigued by the mysteriousness of the main character. However, the pace started to slow down and I felt a bit lost. It was only until we switched to In-Hye’s perspective that I was hooked again. I loved how we saw Yeong-hye from every perspective but her own, it aligns with the idea that she has no identity and voice for herself.
I was unable to predict the ending and was left skeptical - what actually happened to Yeong-hye? I looked up some theories, and people say that she turned into a tree, which I think makes sense symbolically. I would have preffered a more concrete ending, like how the beginning felt real - I could imagine myself as Yeong-hye. The dreams were the abstract, ambiguous part that we had to interpet.”
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