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4.0 

The Troubled Girls of Dragomir Academy

By Anne Ursu
The Troubled Girls of Dragomir Academy by Anne Ursu digital book - Fable

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Publisher Description

From the acclaimed author of The Real Boy and The Lost Girl comes a wondrous and provocative fantasy about a kingdom beset by monsters, a mysterious school, and a girl caught in between them.

If no one notices Marya Lupu, is likely because of her brother, Luka. And that’s because of what everyone knows: that Luka is destined to become a sorcerer.

The Lupus might be from a small village far from the capital city of Illyria, but that doesn’t matter. Every young boy born in in the kingdom holds the potential for the rare ability to wield magic, to protect the country from the terrifying force known only as the Dread. 

For all the hopes the family has for Luka, no one has any for Marya, who can never seem to do anything right. But even so, no one is prepared for the day that the sorcerers finally arrive to test Luka for magical ability, and Marya makes a terrible mistake. Nor the day after, when the Lupus receive a letter from a place called Dragomir Academy—a mysterious school for wayward young girls. Girls like Marya.

Soon she is a hundred miles from home, in a strange and unfamiliar place, surrounded by girls she’s never met. Dragomir Academy promises Marya and her classmates a chance to make something of themselves in service to one of the country’s powerful sorcerers. But as they learn how to fit into a world with no place for them, they begin to discover things about the magic the men of their country wield, as well as the Dread itself—things that threaten the precarious balance upon which Illyria is built.

59 Reviews

4.0
“As a 30 year old woman I can see some plot holes and important questions/reasoning being left unanswered, but I can say if I was a young girl reading this I would have loved it. Its focus is heavily on the message and lessons the author is trying to teach through the book. It would have been nice to see more depth in the plot and characters. Nonetheless it’s still a good message to get across to young girls and get them on the path to critical thinking.”
“Marya Lupu is a young girl growing up in her brother's shadow. In her society, girls and women have limited prospects because they are considered susceptible to being tainted by magic. While boys can grow up to be sorcerers who protect their country, girls have to have their magic suppressed. Her brother has been nurtured by her family because he has the potential to become a great sorcerer, which will make their fortune as a family. In contrast, Marya can't seem to do anything right, deemed a failure by her mother and ignored by her father. Marya and Luka don't get along at all due to the way their family has set up this competition by default. Things come to a head, and when Luka's big day fails due to a variety of circumstances, Marya is blamed and shipped off to a boarding school for "troubled girls." At the school, Marya forms a bond with the girls in her incoming class, and uncovers a conspiracy that has wide-reaching circumstances. I appreciate Anne Ursu as a writer and I have enjoyed all the books I've read by her. Each book is different and something very important to say about the childhood experience, with important themes and lessons. Out of the ones I've read, I had the hardest time getting into this book. I just couldn't figure out where Ursu was going with this book. Having said that, it was worth sticking it out. Ultimately, I think this story is more about the themes and the message than the actual plot. Basically it's about sexism, misogyny, and how the toxicity inherent in patriarchal systems does a lot of damage to societies. It's a deeper kind of concept, and I feel like maybe there needed to be a little more magic to go along with it, considering this is about a world/place where magic is a real thing. I say that because I kept questioning if magic was in fact real, and the threat was real or if it was political theater. And if this was just political theater, I felt like the target audience was probably too young for that kind of story. Also I felt like there was a bit more telling than showing, and showing really makes the difference in how a story that is higher concept balances the plotline with the underlying ideas. This book had me thinking about how gendered the term witch was. Maybe that's why I don't like it. I think I prefer for there to be a gender neutral term for people who can use magic. Another issue I had was the characterization of Marya. Was she socially awkward? Was she high functioning autistic? I wasn't quite sure. A repeating concept was that she had words stuck inside of her that she couldn't get out, and also she was emotionally traumatized at how her mother treated her. I feel like that needed to be dealt with more. I always have to consider the fact that I am a grown woman reading middle grade fiction, and what I perceive about the story is different from what a younger read would. Having said that, I think that a younger reader might be a little bored with this story. I feel like if it's a story about magic, give us magic. If it's not about magic, but the way that people in power manipulate their citizens with theater, then that should be well conveyed as well. I did like the resolution of Marya's relationship with Luka. They realized that the bond of siblings was being harmed by the toxic sexism in their society and were able to move forward by acknowledging that they didn't have to be enemies. That's probably my favorite part of this book. Although I also enjoyed Marya's turn as an amateur sleuth. Yeah I'd read more stories with her sleuthing. But please develop the magic more. Overall rating: 3.5/5.0 stars”

About Anne Ursu

Anne Ursu is the author of the acclaimed novels The Troubled Girls of Dragomir Academy, The Lost Girl, Breadcrumbs, and The Real Boy, which was longlisted for the National Book Award. The recipient of a McKnight Fellowship Award in Children’s Literature, Anne lives in Minneapolis with her family and an ever-growing number of cats.

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