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4.0 

The Tablet of Destinies

By Roberto Calasso & Tim Parks
The Tablet of Destinies by Roberto Calasso & Tim Parks digital book - Fable

Publisher Description

Roberto Calasso, "a literary institution of one" (The Paris Review), tells the story of the eternal life of Utnapishtim, the savior of man, in the eleventh part of his great literary project.

A long time ago, the gods grew tired of humans, who were making too much noise and disturbing their sleep, and they decided to send a Flood to destroy them. But Ea, the god of fresh underground water, didn’t agree and advised one of his favorite mortals, Utnapishtim, to build a quadrangular boat to house humans and animals. So Utnapishtim saved living creatures from the Flood.

Rather than punish Utnapishtim, Enlil, king of the gods, granted him eternal life and banished him to the island of Dilmun. Thousands of years later, Sindbad the Sailor is shipwrecked on that very same island, and the two begin a conversation about courage, loss, salvation, and sacrifice.

What Utnapishtim tells Sindbad is the subject of this book, the eleventh part of Roberto Calasso’s great opus that began in 1983 with The Ruin of Kasch. The Tablet of Destinies, a continuous narrative from beginning to end, delves into our earliest mythologies and records the origin stories of human civilization.

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The Tablet of Destinies Reviews

4.0
“I still count myself a newcomer to Calasso: despite having "The Marriage of Cupid and Psyche" on my list for quite some time, I started only with "The Book of All Books" earlier this year, based largely on Stephen Greenblatt's review in the New York Times. It was a sonorous work that told biblical tales—some more familiar than others—with a striking lack of condescension. At times, it appeared to sow difficulty on purpose, perhaps because difficulty tends commands respect, which in turn is the only way to approach the actual Book of all Books. Its familiarity, Calasso seemed to say, occludes our vision; to recover it one has to commit to an act of creative forgetting. Perhaps for that reason, his observations, or summations, felt so starkly original, so remarkably fresh. “The Tablet of Destinies,” which succeeds “The Book of All Books,” is a much slimmer volume. Its subject is a synthesis of ancient Mesopotamian myth—again, some of it more familIar than the rest—except , this time, Calasso does his retelling through two characters, Utnapishtim and Sindbad. I cannot say how much of this retelling is Calasso’s invention, and it does not matter. What does is that Calasso, again, elevates the strangeness of myth, its resistance to mindless domestication. In doing so, and much as he did with the Bible, he recovers the otherworldly poetry of these stories, their grain, taste and smell—none of which we know anything about. It is much more of an accomplishment than it may seem: so much of popular fiction expends itself on barren, insipid retellings of myth, from this perspective or that. Nine times out of ten, it succeeds only in trivializing and sedating its sources. Calasso’s book—which only takes a few hours to read—is a far cry from this cycle of adopting and adapting, his voice, posthumous though it now is, that of a truly original thinker and story(re)teller. — Many thanks to Farrar, Straus & Giroux for an ARC via NetGalley”

About Roberto Calasso

Roberto Calasso (1941–2021) was born in Florence and lived in Milan. Begun in 1983 with The Ruin of Kasch, his landmark series now comprises The Marriage of Cadmus and Harmony, Ka, K., Tiepolo Pink, La Folie Baudelaire, Ardor, The Celestial Hunter, The Unnamable Present, The Book of All Books, and The Tablet of Destinies. Calasso also wrote the novel The Impure Fool and eight books of essays, the first three of which have been published in English: The Art of the Publisher, The Forty-Nine Steps, Literature and the Gods, The Madness That Comes from the Nymphs, One Hundred Letters to an Unknown Reader, The Hieroglyphs of Sir Thomas Browne, The Rule of the Good Neighbor; or, How to Find an Order for Your Books, and American Allucinations. He was the publisher of Adelphi Edizioni.

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