3.5
The Museum of Innocence
ByPublisher Description
Now a Netflix series • From the Nobel Prize winner and "one of the great novelists" (The Washington Post) comes a stirring exploration of the nature of romance in late 1970s Istanbul.
It is 1975, a perfect spring in Istanbul. Kemal and Sibel, children of two prominent families, are about to become engaged. But when Kemal encounters Füsun, a beautiful shopgirl and a distant relation, he becomes enthralled. And once they violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeoisie. In his pursuit of Füsun over the next eight years, Kemal becomes a compulsive collector of objects that chronicle his lovelorn progress—amassing a museum that is both a map of a society and of his heart.
It is 1975, a perfect spring in Istanbul. Kemal and Sibel, children of two prominent families, are about to become engaged. But when Kemal encounters Füsun, a beautiful shopgirl and a distant relation, he becomes enthralled. And once they violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeoisie. In his pursuit of Füsun over the next eight years, Kemal becomes a compulsive collector of objects that chronicle his lovelorn progress—amassing a museum that is both a map of a society and of his heart.
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Meet readers like you in the Fable For You feed, designed to build bookish communitiesThe Museum of Innocence Reviews
3.5
“Very immersive and believable. The writing was a bit torturous but I think that’s just Kemal - At times I felt like Kemal, at others I hated him. Hated him for Sibel, hated him for Fusun, hated him for his mentality. I hated Fusun even more, such an unlikable character. I feel it was needed to be like so to perfectly portray the restraints of the period itself. However, I am still pissed off by her lack of willpower and action - her spite only acts against her. I appreciated Kemal’s emotions and grief, I was at times impressed by the amount of detail a man can notice.”
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