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3.5 

The Mark and the Void

By Paul Murray
The Mark and the Void by Paul Murray digital book - Fable

Publisher Description

What links the Investment Bank of Torabundo, www.myhotswaitress.com (yes, with an s, don't ask), an art heist, a novel called For the Love of a Clown, a six-year-old boy with the unfortunate name of Remington Steele, a lonely French banker, a tiny Pacific island, and a pest control business run by an ex-KGB agent?
The Mark and the Void is Paul Murray's madcap new novel of institutional folly, following the success of his wildly original breakout hit, Skippy Dies. While marooned at his banking job in the bewilderingly damp and insular realm known as Ireland, Claude Martingale is approached by a down-on-his-luck author, Paul, looking for his next great subject. Claude finds that his life gets steadily more exciting under Paul's fictionalizing influence; he even falls in love with a beautiful waitress. But Paul's plan is not what it seems—and neither is Claude's employer, the Investment Bank of Torabundo, which swells through dodgy takeovers and derivatives trading until—well, you can probably guess how that shakes out.
The Mark and the Void is the funniest novel ever written about the recent financial crisis, and a stirring examination of the deceptions carried out in the names of art and commerce.

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The Mark and the Void Reviews

3.5
“Paul Murray is by far my favourite author of all time, so after reading ‘The Bee Sting’ and ‘Skippy Dies’ I was dying to get my hands on this book. ‘The Mark and the Void’ is an enjoyable read, however I don’t think it was nearly as impressive as Murray’s other books. The storyline was definitely unique and the characters were likeable and funny, but the overall plot didn’t really have that great of an impact on me. Murray’s other books are loveable because of how multilayered the characters are, and how he captures a variety of perspectives, whereas this narrative was limited by the one POV. It was also a bit of a slow burn, and took some time to become enjoyable to read. Overall, I did have a good time reading this book, I’m possibly just being a bit harsh in this review because my standards for Murray are so high.”
“I’m reading thru Paul Murray’s bibliography and I slogged thru the first 100 pages cause I loved his other books. I finished it… I wasn’t overcome after finishing like with The Bee Sting or Skippy Dies. I learned a lot about the Irish/everyone financial crisis. It took way longer for this to GET GOING than his other books. Once it did - I guess I was enjoying it. It was well written, really funny, educational. I thought if it could have veered way left between Claude and Paul - it would’ve been more interesting. I feel like this would work as a movie with the vibe/tone of Seven Psychopaths and The Big Short. Everyone needs to be able to get to 11 and this would be great. Trying to get my hands on his first book. Seems it’s outta print and I’m not paying $10 Amazon shipping. ‘That’s how we find him as our story begins… Some observing might say he is depressed. He would say he only wants to be left alone. Certainly at this point he has no intention of committing a crime.’ “Just because you don’t have it doesn’t mean you don’t need it,… Every story needs love. Even at the bottom of the sea.” ‘His father was a blacksmith, and his father before him. That was almost a century ago, when our town was a village and Paris still a murky Chimera far beyond the horizon; by the time I was born, the forge lay quiet three days a week and my father had to supplement his income by teaching metalwork at the technical college nearby.’”

About Paul Murray

Paul Murray was born in 1975. He studied English literature at Trinity College in Dublin and creative writing at the University of East Anglia. His first novel, An Evening of Long Goodbyes, was short-listed for the Whitbread Prize in 2003 and was nominated for the Kerry Irish Fiction Award. His second novel, Skippy Dies, was short-listed for a 2010 Costa Book Award and long-listed for the 2010 Man Booker Prize, was a finalist for the National Book Critics Circle Award, and was ranked number three in Time's ten best books of 2010.

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