4.0
The Making of Incarnation
ByPublisher Description
From the author of Remainder, and two novels short-listed for the Booker Prize, C, and Satin Island, a widescreen odyssey through the medical labs, computer graphics studios, military research centers, and other dark zones where the frontiers of potential—to cure, kill, understand or entertain—are constantly tested and refined.
Bodies in motion. Birds, bees and bobsleighs. What is the force that moves the sun and other stars? Where’s our fucking airplane? What’s inside Box 808, and why does everybody want it?
Deep within the archives of time-and-motion pioneer Lillian Gilbreth lies a secret. Famous for producing solid light-tracks that captured the path of workers’ movements, Gilbreth helped birth the era of mass observation and big data. But did she also, as her broken correspondence with a young Soviet physicist suggests, discover in her final days a “perfect” movement, one that would “change everything”?
An international hunt begins for the one box missing from her records, and we follow contemporary motion-capture consultant Mark Phocan, as well as his collaborators and shadowy antagonists, across geopolitical fault lines and through strata of personal and collective history. Meanwhile, work is under way on the blockbuster movie Incarnation, an epic space tragedy.
As McCarthy peers through the screen, or veil, of technological modernity to reveal the underlying symbolic structures of human experience, The Making of Incarnation weaves a set of stories one inside the other, rings within rings, a perpetual motion machine.
Bodies in motion. Birds, bees and bobsleighs. What is the force that moves the sun and other stars? Where’s our fucking airplane? What’s inside Box 808, and why does everybody want it?
Deep within the archives of time-and-motion pioneer Lillian Gilbreth lies a secret. Famous for producing solid light-tracks that captured the path of workers’ movements, Gilbreth helped birth the era of mass observation and big data. But did she also, as her broken correspondence with a young Soviet physicist suggests, discover in her final days a “perfect” movement, one that would “change everything”?
An international hunt begins for the one box missing from her records, and we follow contemporary motion-capture consultant Mark Phocan, as well as his collaborators and shadowy antagonists, across geopolitical fault lines and through strata of personal and collective history. Meanwhile, work is under way on the blockbuster movie Incarnation, an epic space tragedy.
As McCarthy peers through the screen, or veil, of technological modernity to reveal the underlying symbolic structures of human experience, The Making of Incarnation weaves a set of stories one inside the other, rings within rings, a perpetual motion machine.
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Meet readers like you in the Fable For You feed, designed to build bookish communities1 Review
4.0
Brent Hayward
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“The reasons why McCarthy’s books take a lot of flak on GR are the same reasons why I like 'em! And I like 'em a lot: hyper-smart, sharp, honed style, hinting at forces and connections expanding out through the infinities of the universe but never quite revealing them (really, who could?). Some great scenes, a few gags, insights both technical and very human.”
About Tom McCarthy
TOM MCCARTHY's work has been translated into more than twenty languages and adapted for cinema, theater, and radio. His novel, C, was shortlisted for the Man Booker Prize, the Walter Scott Prize, and the European Literature Prize; his fourth, Satin Island, was shortlisted for the Man Booker Prize and the Goldsmiths Prize. In 2013 he was awarded the inaugural Windham-Campbell Literature Prize by Yale University. McCarthy is also the author of the study Tintin and the Secret of Literature, and the essay collection Typewriters, Bombs, and Jellyfish. He lives in Berlin.
Other books by Tom McCarthy
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