3.5
The Hunchback of Notre-Dame
ByPublisher Description
The story and characters in Victor Hugo's The Hunchback of Notre-Dame have resonated with succeeding generations since its publication in 1831. It has tempted filmmakers, and most recently animators, who have exploited its dramatic content to good effect but have inevitably lost some of the grays that make the original text so compelling.
From Victor Hugo's flamboyant imagination came Quasimodo, the grotesque bell ringer; La Esmeralda, the sensuous gypsy dancer; and the haunted archdeacon Claude Frollo. Hugo set his epic tale in the Paris of 1482 under Louis XI and meticulously re-created the
day-to-day life of its highest and lowest inhabitants. Written at a time of perennial political upheaval in France, The Hunchback of Notre-Dame is the product of an emerging democratic sensibility and prefigures the teeming masterpiece Les Misérables, which Hugo would write thirty years later.
He made the cathedral the centerpiece of the novel and called it Notre-Dame de Paris. (It received its popular English title at the time of its second translation in 1833.) Hugo wrote that his inspiration came from a carving of the word "fatality" in Greek that he had found in the cathedral. The inscription had been eradicated by the time the book was published, and Hugo feared that Notre-Dame's Gothic splendor might soon be lost to the contemporary fad for tearing down old buildings. Notre-Dame has survived as one of the great monuments of Paris, and Hugo's novel is a fitting celebration of it, a popular classic that is proving to be just as enduring.
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of liter-ature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.
Jacket paintings: (front) detail from Notre Dame by Paul Lecomte, courtesy of David David Gallery/SuperStock; (spine) Victor Hugo, 1833, by Louis Boulanger of Giraudon/Art Resource, N.Y.
From Victor Hugo's flamboyant imagination came Quasimodo, the grotesque bell ringer; La Esmeralda, the sensuous gypsy dancer; and the haunted archdeacon Claude Frollo. Hugo set his epic tale in the Paris of 1482 under Louis XI and meticulously re-created the
day-to-day life of its highest and lowest inhabitants. Written at a time of perennial political upheaval in France, The Hunchback of Notre-Dame is the product of an emerging democratic sensibility and prefigures the teeming masterpiece Les Misérables, which Hugo would write thirty years later.
He made the cathedral the centerpiece of the novel and called it Notre-Dame de Paris. (It received its popular English title at the time of its second translation in 1833.) Hugo wrote that his inspiration came from a carving of the word "fatality" in Greek that he had found in the cathedral. The inscription had been eradicated by the time the book was published, and Hugo feared that Notre-Dame's Gothic splendor might soon be lost to the contemporary fad for tearing down old buildings. Notre-Dame has survived as one of the great monuments of Paris, and Hugo's novel is a fitting celebration of it, a popular classic that is proving to be just as enduring.
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of liter-ature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.
Jacket paintings: (front) detail from Notre Dame by Paul Lecomte, courtesy of David David Gallery/SuperStock; (spine) Victor Hugo, 1833, by Louis Boulanger of Giraudon/Art Resource, N.Y.
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Meet readers like you in the Fable For You feed, designed to build bookish communitiesThe Hunchback of Notre-Dame Reviews
3.5
“I was actually surprised how closely the Disney movie aligned with the beginning of the story, though of course they understandably diverged at some point.
Overall, I found the plot interesting if not slightly predictable at some points (unrelated to the movie). Hugo does a good job of linking seemingly disparate events to progress the plot. Unfortunately, there were a few plot points that I don't think were ever explained, and I found the book a bit tough to get through. There were entire chapters that I skipped because they described Paris and the church in *incredible* and tedious detail.”
“I listened to this while traveling Paris and I liked it WAY MORE than I thought I would ... albeit the scenery really helped with that, too. While it may be a bit strenous to get through the first five chapters, after that it getsxreally good, with whitfull social commentary, subtle satire and absolutely heartbreaking scenes - and one of the most loathsome villains in literary history. Watching a 16-year old girl getting torn apart between two men, each an epitomal embodyment of patriarchy, watching a disabled and disfigured person be scorned by society, makes this book an interesting study surprisingly relevant in its themes, lending itself perfectly for a critixal reflection through a modern lens.”About Victor Hugo
Catherine Liu is an associate professor in the cultural studies and comparative literature department at the University of Minnesota. She is the author of Copying Machines: Taking Notes for the Automaton and a novel, Oriental Girls Desire Romance.
Elizabeth McCracken is the author of Niagara Falls All Over Again and The Giant’s House. She lives in Massachusetts.
Elizabeth McCracken is the author of Niagara Falls All Over Again and The Giant’s House. She lives in Massachusetts.
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