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The Great Age of Storytelling
ByPublisher Description
With infectious enthusiasm, "the best read person in America"—as Pulitzer Prize-winner Michael Dirda has been called—aims to rekindle our passion for classic works of adventure, mystery, fantasy and romance.
Kidnapped, The Prisoner of Zenda, The Island of Dr. Moreau, Kim, Ghost Stories of an Antiquary, The Scarlet Pimpernel, Trent’s Last Case, Captain Blood, The Enchanted Castle, The Man Who Was Thursday—these are just a few of the many wonderful works reclaimed for 21st-century readers in Michael Dirda’s The Great Age of Storytelling. Focusing on the period between 1880 and 1930 in England, The Great Age of Storytelling is both a celebration of some of the world’s best “comfort reading” and an introduction to many of the foundational masterpieces of modern genre literature.
Known for his engagingly conversational style, Dirda, a longtime book columnist for The Washington Post, also champions lesser-known works deserving renewed attention today. Readers will be introduced to the thrilling historical romances of Stanley J. Weyman, Richard Marsh's daringly transgressive and macabre chiller, The Beetle (which appeared the same year as Dracula and outsold it), Walter Besant's The Revolt of Man, which reverses the traditional roles of the sexes, and the comic novels of F. Anstey, Barry Pain, J. Storer Clouston and other precursors of P.G. Wodehouse (whose early work is also included).
And that's just a beginning. Who can forget those sinister yet beguiling rivals of Arthur Conan Doyle's Professor Moriarty such as Guy Boothby's suave Dr. Nikola, Sax Rohmer's insidious Dr. Fu Manchu, Elizabeth Thomasina Meade and Robert Eustace's beautiful and ruthless Madame Koluchy, or Anthony Skene's world-weary Monsieur Zenith? There are appreciations, too, of E.R. Eddison's epic The Worm Ouroboros, E.A. Wyke-Smith's The Marvellous Land of Snergs (which influenced Tolkien's The Hobbit), Margaret Irwin's poignant time-slip romance, Still She Wished for Company, and, not least, such cautionary fables as Owen Gregory's Mecannia, the Super-State and Katharine Burdekin's prescient Swastika Night.
Capacious and absorbing, The Great Age of Storytelling can be enjoyed both for the pleasure of Dirda's bookish company and as a guide to a lost world of compulsively entertaining fiction. As admirers of Michael Dirda's earlier books know—these include Browsings, Classics for Pleasure and Bound to Please, among others—he has devoted his life to promoting reading, especially the reading of the great works of the past. The Great Age of Storytelling may be his magnum opus.
Kidnapped, The Prisoner of Zenda, The Island of Dr. Moreau, Kim, Ghost Stories of an Antiquary, The Scarlet Pimpernel, Trent’s Last Case, Captain Blood, The Enchanted Castle, The Man Who Was Thursday—these are just a few of the many wonderful works reclaimed for 21st-century readers in Michael Dirda’s The Great Age of Storytelling. Focusing on the period between 1880 and 1930 in England, The Great Age of Storytelling is both a celebration of some of the world’s best “comfort reading” and an introduction to many of the foundational masterpieces of modern genre literature.
Known for his engagingly conversational style, Dirda, a longtime book columnist for The Washington Post, also champions lesser-known works deserving renewed attention today. Readers will be introduced to the thrilling historical romances of Stanley J. Weyman, Richard Marsh's daringly transgressive and macabre chiller, The Beetle (which appeared the same year as Dracula and outsold it), Walter Besant's The Revolt of Man, which reverses the traditional roles of the sexes, and the comic novels of F. Anstey, Barry Pain, J. Storer Clouston and other precursors of P.G. Wodehouse (whose early work is also included).
And that's just a beginning. Who can forget those sinister yet beguiling rivals of Arthur Conan Doyle's Professor Moriarty such as Guy Boothby's suave Dr. Nikola, Sax Rohmer's insidious Dr. Fu Manchu, Elizabeth Thomasina Meade and Robert Eustace's beautiful and ruthless Madame Koluchy, or Anthony Skene's world-weary Monsieur Zenith? There are appreciations, too, of E.R. Eddison's epic The Worm Ouroboros, E.A. Wyke-Smith's The Marvellous Land of Snergs (which influenced Tolkien's The Hobbit), Margaret Irwin's poignant time-slip romance, Still She Wished for Company, and, not least, such cautionary fables as Owen Gregory's Mecannia, the Super-State and Katharine Burdekin's prescient Swastika Night.
Capacious and absorbing, The Great Age of Storytelling can be enjoyed both for the pleasure of Dirda's bookish company and as a guide to a lost world of compulsively entertaining fiction. As admirers of Michael Dirda's earlier books know—these include Browsings, Classics for Pleasure and Bound to Please, among others—he has devoted his life to promoting reading, especially the reading of the great works of the past. The Great Age of Storytelling may be his magnum opus.
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About Michael Dirda
Michael Dirda is a Pulitzer Prize-winning critic and longtime book columnist for The Washington Post. He was once chosen by Washingtonian Magazine as one of the twenty-five smartest people in our nation’s capital (but, as Michael says, you have to consider the competition). He also writes regularly for the Times Literary Supplement; the New York Review of Books and other literary journals. His previous publications include the memoir An Open Book, five collections of essays—Readings, Bound to Please, Book by Book, Classics for Pleasure, Browsings (also availble from Pegasus Books)—and On Conan Doyle, for which he won an Edgar Award. A lifelong Sherlock Holmes and Conan Doyle fan, he was inducted into The Baker Street Irregulars in 2002. He lives in Silver Spring, Maryland.
Other books by Michael Dirda
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