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3.0 

The Georgics

By Virgil & Mint Editions
The Georgics by Virgil & Mint Editions digital book - Fable

Publisher Description

“In the whole of European literature there is no poet who can furnish the texts for a more significant variety of discourse than Virgil. [He] symbolizes so much in the history of Europe, and represents such central European values…” –T.S. Eliot

The Georgics (29 BC) is a poem by Roman poet Virgil. Although less prominent than The Aeneid, Virgil’s legendary epic of the Trojan hero Aeneas and his discovery of what would later become the city of Rome, The Georgics have endured as a landmark in the history of poetry. The Georgics were inspired by Lucretius’s De Rerum Natura and Hesiod’s Works and Days, an Ancient Greek poem describing the creation of the cosmos, the history of Earth, and the role of agriculture in human life. The Georgics is considered Virgil’s second major work of three and has inspired generations of poets and scholars interested in the ability of literature to bridge the artificial gap between humanity and the natural world.

“What makes the cornfield smile […] What pains for cattle-keeping, or what proof / Of patient trial serves for thrifty bees; / Such are my themes.” Beginning with these lines, Virgil’s Georgics is a poem about the life of the world and the need for order to ensure humanity’s survival. Surveying such diverse topics as the creation of the universe, the cycles of human history, and the technical processes applied to soil and animals to produce food and sustain life itself, this poem attempts to rekindle in its reader a sense of unity with the world. Written in a time of immense political upheaval following the death of Julius Caesar and the rise of Emperor Augustus, The Georgics is as much a poem of survival as of faith, a falling back on the old ways that sustain and nurture life, a way of preserving a volatile present for a future forever in the making.

This edition of Virgil’s The Georgics is a classic work of Roman literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

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The Georgics Reviews

3.0
“bees bees bees! this did slightly bore me bc who wants to read this many pages about agriculture”
“I essentially listened to this version of the Georgics to read along with the poems. Alas, I was unaware that this was an abridged version of the poems. The Audiobook is still good, but if you wanted to listen to the myths entwined into the poetry, this may not be the listening you will be interested in.”
“It took a couple of readings before the implications of this work sank in, but the implications are kind of incredible now that I think I can see them. On the surface, The Georgics is a poem written about agrarian themes in an epic style. The four books take the reader through various topics pertaining to the preparation and care for the land, for crops, for livestock, and (wonderfully) about bees. I gather that the agrarian advice is somewhat suspect and probably wouldn’t be helpful to the DIY farmer, but it would be a mistake to read this poem simply as a manual anyway. These points about agrarian life are shot through with references to the gods and mythological figures. There are also not-so-subtle allegorical references to political topics and shout outs to Augustus and other members of his inner circle, all of which show that there is much more going on. One of the implications of this work that I find most compelling is the suggestion that farming and statecraft can be talked about together. The very connection of these topics suggest that the knowledge of farming comes from the same place that political and state building knowledge comes (i.e., the gods). The parallel suggests an affinity between the wisdom applied in both settings, but it also both humbles the grandness of statecraft while elevating the humble stature of knowing and caring for the land. Not only do both kinds of wisdom come from the same source, they also reflect their common origin in the grand unified oneness the world of the gods. Not only do these kinds of wisdom come from the same place, they may be different articulations of the same underlying truth. If these kinds of wisdom have some connection to each other, then there is no question that one can be an allegory for the other. But rather than saying that eradicating pests is like driving back one’s enemies, that breaking up clods of dirt or removing stones from a field are like identifying and eliminating opposition, or that cultivating and enriching the soil is like instituting reforms and starting beneficial public works projects, the verse invites the reader to engage with the activity of care that goes with all of those acts. The verse invites and elongates contemplation about the activities, how they unfold in time, how they require attention, and both a kind of practical and ideal wisdom to guide them. It is also incredible to me to see the audacity (if that’s the right word) of someone like Virgil speaking to power in such a direct manner through a means that is as once topically humble (animals and crops) and structurally grand (epic poetry). And that is setting aside the implication that a poet would deign to tell Caesar Augustus how to govern. Even if Virgil was beloved by Augustus, the position he takes is kind of amazing. The poem also seems to reveal something about the function of poetry in Rome and the tradition that it comes out of an existing tradition of epic poetry. Poems simply do not have this kind of force today. Neither do novels, nor music, nor art of any kind. There is an argument to made that by pulling from a Greek tradition of epic poetry Virgil’s invocation of the gods is maybe meant to elevate the importance of The Georgics by making it a place where one encounters the words of the gods, perhaps making the status of the poem more like modern religious texts, but think about how much sway even those have in modern politics except as stage props.”
“do i love reading about farm crops, trees, livestock, and bees? yes i do when virgil is the one writing about them.”

About Virgil

Virgil (70 BC-19 BC) was a Roman poet. He was born near Mantua in northern Italy. Educated in rhetoric, medicine, astronomy, and philosophy, Virgil moved to Rome where he was known as a particularly shy member of Catullus’ literary circle. Suffering from poor health for most of his life, Virgil began his career as a poet while studying Epicureanism in Naples. Around 38 BC, he published the Eclogues, a series of pastoral poems in the style of Hellenistic poet Theocritus. In 29 BC, Virgil published his next work, the Georgics, a long didactic poem on farming in the tradition of Hesiod’s Works and Days. In the last decade of his life, Virgil worked on his masterpiece the Aeneid, an epic poem commissioned by Emperor Augustus. Expanding upon the story of the Trojan War as explored in Homer’s Iliad and Odyssey, the Aeneid follows the hero Aeneas from the destruction of Troy to the discovery of the region that would later become Rome. Posthumously considered Rome’s national poet, Virgil’s reputation has grown through the centuries—in large part for his formative influence on Dante’s Divine Comedy—to secure his position as a foundational figure for all of Western literature.

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