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3.5 

The Fallen

By Carlos Manuel Álvarez
The Fallen by Carlos Manuel Álvarez digital book - Fable

Publisher Description

A vibrant and meticulously constructed debut novel about familial and cultural breakdown

A powerful, unsettling portrait of family life in Cuba, Carlos Manuel Álvarez’s first novel is a masterful portrayal of a society in free fall. Diego, the son, is disillusioned and bitter about the limited freedoms his country offers him as he endures compulsory military service. Mariana, the mother, is unwell, prone to mysterious seizures, and forced to relinquish control over the household to her daughter, Maria, who has left school and is working as a chambermaid in a state-owned tourist hotel. The father, Armando, is a committed revolutionary, a die-hard Fidelista who is sickened by the corruption he perceives all around him. As each member of the family narrates seemingly quotidian and overlapping events, they grow increasingly at odds for reasons that remain elusive to them—each of them holding and concealing their own secrets.

In meticulously charting the disintegration of a single family, The Fallen offers a poignant reflection on contemporary Cuba and the clash of the ardent idealism of the old guard with the jaded pragmatism of the young. This is a startling and incisive debut by a radiant new voice in Latin American literature.

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14 Reviews

3.5
“The Fallen is only 136 pages long, but it bursts with resounding voices of unbridled pain. Carlos Manuel Álvarez’s polyphonic novel takes us across a Cuban family, each member with individual chapters — the son, the daughter, the mother, the father — in an arduous dissection of their daily lives. Frank Wynne’s elegant translation makes for an unsettling and deeply moving read, highlighting the familial tensions that mirror generational gaps in contemporary Cuba. At the beginning of every chapter, we are informed of the everchanging point of view by a dry title, giving a sense of anonymity to this family, where every member is reduced to their status and function in the domestic microcosm. It seems that every character is thoroughly convinced they are a good person, putting into question the reliability of each narrator. The father, Armando, particularly, refers to himself as an honest and incorruptible man. Does he believe it, or is it a show put on for us? Armando again and again refers to a story that he seems to live by: Nobody likes their boss. I do not either, to tell the truth. But the difference is that my bosses are corrupt and I am an honest and irreproachable boss, like Che Guevara, who once visited a bicycle factory where the lickspit -the manager tried to give him a bicycle for his daughter and Che put him in his place, saying that these bicycles weren’t his, meaning the manager’s, that they belonged to the State and he had no right to give them away. In such a small amount of pages, The Fallen is abundantly expressive yet leaves so much unsaid. In admiration of his daughter María’s straightforward nature, Armando ponders: ‘I realize we are living in an era where things are said with three times more resources, words and complications than necessary.’ Frank Wynne’s translation reflects the irony of this thought, as the novel flows with detailed descriptions of mundane daily activities. Similarly, when explaining his feelings of bitterness and resentment, Diego addresses the reader the way one would write a structured essay. ‘I’d like to draw attention to two things’, he warns, before delving into upsetting anecdotes from his childhood. The author challenges expectations by building anticipation without relating the outcome, setting up a tense and uncathartic ending that successfully leaves the reader reeling. The Fallen is the story of a family; not a romanticized saga, but a tale of unconditional love and friendship. Through careful and subtle prose, the strain and suffering in every voice emerges loud and clear. Carlos Manuel Álvarez has painted a powerful, burning image of illness, isolation and harrowing rancour.”
“need to reread this asap!! because it was stunning!! different layout, gorgeous writing, bone chilling family dynamics”
“4.5, really good!”

About Carlos Manuel Álvarez

Carlos Manuel Álvarez has contributed to The New York Times, El País, BBC World, and The Washington Post. In 2017 he was included in the Bogotá39 list of the best Latin American writers under forty. He divides his time between Havana and Mexico City.

Other books by Carlos Manuel Álvarez

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