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4.0 

The Evidence of Things Not Seen

By James Baldwin
The Evidence of Things Not Seen by James Baldwin digital book - Fable

Publisher Description

Over twenty-two months in 1979 and 1981 nearly two dozen children were unspeakably murdered in Atlanta despite national attention and outcry; they were all Black. James Baldwin investigated these murders, the Black administration in Atlanta, and Wayne Williams, the Black man tried for the crimes. Because there was only evidence to convict Williams for the murders of two men, the children's cases were closed, offering no justice to the families or the country. Baldwin's incisive analysis implicates the failures of integration as the guilt party, arguing, "There could be no more devastating proof of this assault than the slaughter of the children."

As Stacey Abrams writes in her foreword, "The humanity of black children, of black men and women, of black lives, has ever been a conundrum for America. Forty years on, Baldwin's writing reminds us that we have never resolved the core query: Do black lives matter? Unequivocally, the moral answer is yes, but James Baldwin refuses such rhetorical comfort." In this, his last book, by excavating American race relations Baldwin exposes the hard-to-face ingrained issues and demands that we all reckon with them.

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20 Reviews

4.0
“Meticulous reporting by Mr. Baldwin in the wake of unspeakable headline grabbing horrors in the South. He reasons with a broad understanding that in the legal system, justice is rarely blind— and when it comes to certain groups of people, it’s often not fair (see current day happenings in the news re: multiple circumstances of contempt of court while rich and White vs. this story) “It’s terribly boring to have to say it—again—but it is the White flight and not the Black arrival that alters, or demolishes, property values.” “The real meaning and history of Manifest Destiny, for example, is nothing less than calculated and deliberate genocide. But Americans love Folie, which has seduced American history into a radiant stupor, transforms the slaughter into a heroic legend.“ “If I write you a letter, for example, I am trying to tell you something or ask you something—whatever the message, it can be, finally, only myself, hoping to be delivered. If I speak to you, I want you to hear me—to hear me—and to see me. Speech and language, however ceremonious, complex, and convoluted, are a way of revealing one’s nakedness; and this revelation is, really, our only human hope. But this hope is strangled if one, or both of us, is lying.” “History is a hymn to White people, who may or may not (they suppose) permit us to enter history.” “And, furthermore, we were not so much permitted to enter the church as corralled into it, as a means of rendering us docile and as a means of forcing us to corroborate the inscrutable will of God, Who had decreed that we should be slaves forever.””

About James Baldwin

James Baldwin’s celebrated works of fiction include Go Tell It on the Mountain, Giovanni’s Room, Another Country, Tell Me How Long the Train’s Been Gone, If Beale Street Could Talk, Just Above My Head, and the short story collection Going to Meet the Man. He was also the author of a book of poetry, Jimmy’s Blues; two dramatic works, Blues for Mister Charlie and The Amen Corner; and many works of nonfiction, including Nobody Knows My Name, The Fire Next Time, and Notes of a Native Son. Born in Harlem in 1924, he lived for many years in France, where he died in 1987.

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