2.5
The Doll
ByPublisher Description
In this autobiographical novel, Albania’s most renowned novelist and poet Ismail Kadare explores his relationship with his mother in a delicately wrought tale of home, family, creative aspirations, and personal and political freedom.
“Houses like ours seemed constructed with the specific purpose of preserving coldness and misunderstanding for as long as possible.”
In his father’s great stone house with hidden rooms and even a dungeon, Ismail grows up with his mother at the center of his universe. Fragile as a paper doll, she finds herself at odds with her tight–lipped and wise mother–in–law who, as is the custom for women of a certain age, will never again step foot over the threshold to leave her home. Young Ismail finds it difficult to understand his mother’s tears, though he can understand her boredom. She told him the reason herself in a phrase that terrified and obsessed the boy: “The house is eating me up!”
As Ismail explores his world, his mother becomes fearful of her intellectual son—he uses words she does not understand, writes radical poetry, falls in love far too easily, and seems to renounce everything she believes in. He will, she fears, have to exchange her for some other superior mother when he becomes a famous writer.
The Doll is a delicate and disarming autobiographical novel, an exploration of Kadare’s creative aspirations and their tangled connections to his childhood home and his mother’s tenuous place within it.
“Houses like ours seemed constructed with the specific purpose of preserving coldness and misunderstanding for as long as possible.”
In his father’s great stone house with hidden rooms and even a dungeon, Ismail grows up with his mother at the center of his universe. Fragile as a paper doll, she finds herself at odds with her tight–lipped and wise mother–in–law who, as is the custom for women of a certain age, will never again step foot over the threshold to leave her home. Young Ismail finds it difficult to understand his mother’s tears, though he can understand her boredom. She told him the reason herself in a phrase that terrified and obsessed the boy: “The house is eating me up!”
As Ismail explores his world, his mother becomes fearful of her intellectual son—he uses words she does not understand, writes radical poetry, falls in love far too easily, and seems to renounce everything she believes in. He will, she fears, have to exchange her for some other superior mother when he becomes a famous writer.
The Doll is a delicate and disarming autobiographical novel, an exploration of Kadare’s creative aspirations and their tangled connections to his childhood home and his mother’s tenuous place within it.
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2.5

Ana Chiruș
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Joanna Kouremenou
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ikleel
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Sri Ramya
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“The writing of this book is like following random thought- the author expects us to fill in the gaps and boy there are a lot of gaps. It was filled with ideas and cultural perspectives on marriage, death, love, familial relationships, etc. The author's relationship with the doll was a strained, awe inspiring one. But it was special enough to be written a book about.”
About Ismail Kadare
Ismail Kadare is Albania's best–known novelist and poet. Translations of his novels have appeared in more than forty countries. He was awarded the inaugural Man Booker International Prize in 2005, the Jerusalem Prize in 2015, and the Neustadt International Prize for Literature in 2020.
John Hodgson studied at Cambridge and Newcastle and has taught at the universities of Prishtina and Tirana. This is the sixth book by Ismail Kadare that he has translated.
John Hodgson studied at Cambridge and Newcastle and has taught at the universities of Prishtina and Tirana. This is the sixth book by Ismail Kadare that he has translated.
Other books by Ismail Kadare
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