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To stop a Communist plot, a secretive man searches Los Angeles for a confidential report
When bad weather forces his flight to Los Angeles to land outside of town, Steve Wintress agrees to share a car with three of his fellow travelers: a timid young soldier, a powerful Justice Department official, and a taciturn Hollywood beauty. They don’t know it yet, but all four strangers have something in common—and one of them might kill to get it. A Communist defector has smuggled the priceless Davidian report out of East Berlin, and every secret agency in the world wants to get its hands on it. The report is somewhere in Los Angeles, and Steve will have to battle the CIA, FBI, and the Communist Party to secure it for himself. As he knows all too well, in a game like this, the last thing you should trust is a friendly face.
When bad weather forces his flight to Los Angeles to land outside of town, Steve Wintress agrees to share a car with three of his fellow travelers: a timid young soldier, a powerful Justice Department official, and a taciturn Hollywood beauty. They don’t know it yet, but all four strangers have something in common—and one of them might kill to get it. A Communist defector has smuggled the priceless Davidian report out of East Berlin, and every secret agency in the world wants to get its hands on it. The report is somewhere in Los Angeles, and Steve will have to battle the CIA, FBI, and the Communist Party to secure it for himself. As he knows all too well, in a game like this, the last thing you should trust is a friendly face.
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About Dorothy B. Hughes
Dorothy B. Hughes (1904–1993) was a mystery author and literary critic. Born in Kansas City, she studied at Columbia University, and won an award from the Yale Series of Younger Poets for her first book, the poetry collection Dark Certainty (1931). After writing several unsuccessful manuscripts, she published The So Blue Marble in 1940. A New York–based mystery, it won praise for its hardboiled prose, which was due, in part, to Hughes’s editor, who demanded she cut 25,000 words from the book. Hughes published thirteen more novels, the best known of which are In a Lonely Place (1947) and Ride the Pink Horse (1946). Both were made into successful films. In the early fifties, Hughes largely stopped writing fiction, preferring to focus on criticism, for which she would go on to win an Edgar Award. In 1978, the Mystery Writers of America presented Hughes with the Grand Master Award for literary achievement
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