3.0
The Criminal
By Jim ThompsonPublisher Description
Everyone in Kenton Hills knows that short-tempered, tongue-tied Bob Talbert wasn't the one responsible for the brutal crime that ended Josie Eddleman's life. Nevermind that he was the last one to see her alive.
But in a town filled with the likes of an amoral tabloid reporter known only as The Captain, a district attorney who'll do anything for a confession, and Bob's parents, who care as little for Bob as they do for each other, guilt and innocence are little more than a matter of perspective.
In a masterfully woven tapestry of multiple points of view, The Criminal explores the nature of guilt and responsibility in a psychological thriller of an entire town under the spell of an act of brutal violence. Jim Thompson unlike you're ever read him before.
But in a town filled with the likes of an amoral tabloid reporter known only as The Captain, a district attorney who'll do anything for a confession, and Bob's parents, who care as little for Bob as they do for each other, guilt and innocence are little more than a matter of perspective.
In a masterfully woven tapestry of multiple points of view, The Criminal explores the nature of guilt and responsibility in a psychological thriller of an entire town under the spell of an act of brutal violence. Jim Thompson unlike you're ever read him before.
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About Jim Thompson
Jim Thompson was born in Anadarko, Oklahoma. He began writing fiction at a very young age, selling his first story to True Detective when he was only fourteen. Thompson eventually wrote twenty-nine novels, all but three of which were published as paperback originals.
Thompson also co-wrote two screenplays (for the Stanley Kubrick films The Killing and Paths of Glory). Several of his novels have been filmed by American and French directors, resulting in classic noir including The Killer Inside Me (1952), After Dark My Sweet (1955), and The Grifters (1963).
Thompson also co-wrote two screenplays (for the Stanley Kubrick films The Killing and Paths of Glory). Several of his novels have been filmed by American and French directors, resulting in classic noir including The Killer Inside Me (1952), After Dark My Sweet (1955), and The Grifters (1963).
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