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3.5 

The Cemetery of Untold Stories

By Julia Alvarez
The Cemetery of Untold Stories by Julia Alvarez digital book - Fable

Publisher Description

Literary icon and great American novelist Julia Alvarez, bestselling author of In the Time of the Butterflies and How the García Girls Lost Their Accents, returns with a luminescent novel about storytelling that reads like an instant classic.

“Only an alchemist as wise and sure as Alvarez could swirl the elements of folklore and the flavor of magical realism around her modern prose and make it all sing . . . Lively, joyous . . . often witty, occasionally somber and elegiac.” —Luis Alberto Urrea, The New York Times Book Review


"Engaging and written in a playful, crystal-clear prose, this novel explores friendship, love, sisterhood, living between cultures, and how people can be haunted by the things they don’t finish . . . Entertaining . . . Heartwarming." —Gabino Iglesias, The Boston Globe

**Named a Most Anticipated Book by the New York TimesWashington Post, Today.com, Goodreads, B&N ReadsLiterary Hub, HipLatinaBookPage, BBC.com, Zibby Mag, and more**


Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories, doesn’t want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories—literally. She creates a graveyard for the manuscript drafts and the characters whose lives she tried and failed to bring to life and who still haunt her.

 
Alma wants her characters to rest in peace. But they have other ideas and soon begin to defy their author: they talk back to her and talk to one another behind her back, rewriting and revising themselves. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener to the secret tales unspooled by Alma's characters. Among them, Bienvenida, dictator Rafael Trujillo's abandoned wife who was erased from the official history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States.
 
The Cemetery of Untold Stories asks: Whose stories get to be told, and whose buried? Finally, Alma finds the meaning she and her characters yearn for in the everlasting vitality of stories. Julia Alvarez reminds us that the stories of our lives are never truly finished, even at the end.

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The Cemetery of Untold Stories Reviews

3.5
“I enjoyed the concept of this book but I found it left me wanting more. The stories that were told both by living characters and by the story characters that were coming to life were interesting. The stories all tied together in very compelling ways. However, I felt like I was left wanting more. Some of the stories felt rushed. Others felt incomplete, like the story was never finished being told, even by the person who lived it. Which I suppose is perhaps the whole point of the book. That some stories are meant to be left incomplete and that we can never truly know what is in someone else’s heart. But I did not enjoy that. I wanted these stories to be wrapped up. For example, the woman that Alma’s father had an affair with was definitely alluded to be Filo’s mother that she had been searching for all her life. Alma knows where this woman is but the connection is never made by anyone involved. It is also alluded to at the end of the book that Alma has passed away. I found that her descent into illness and her subsequent death seemed rushed. And I did not enjoy that Bienvenida’s story ends up being written into a novel at the end of this book, as the entire time she was adamant that it not be written. If the point of this book is to point out that some stories aren’t meant to be told or don’t want to be told, why end with this story being told? The beginning was slow but the ending felt rushed. The story telling itself was excellent however.”

About Julia Alvarez

Julia Alvarez left the Dominican Republic for the United States in 1960 at the age of ten. She is the author of six novels, three books of nonfiction, three collections of poetry, and eleven books for children and young adults. She has taught and mentored writers in schools and communities across America and, until her retirement in 2016, was a writer in residence at Middlebury College. Her work has garnered wide recognition, including a Latina Leader Award in Literature from the Congressional Hispanic Caucus Institute, the Hispanic Heritage Award in Literature, the Woman of the Year by Latina magazine, and inclusion in the New York Public Library’s program “The Hand of the Poet: Original Manuscripts by 100 Masters, from John Donne to Julia Alvarez.” In the Time of the Butterflies, with over one million copies in print, was selected by the National Endowment for the Arts for its national Big Read program, and in 2013 President Obama awarded Alvarez the National Medal of Arts in recognition of her extraordinary storytelling. In 2024, she was profiled in the American Masters documentary, "Julia Alvarez: A Life Reimagined," on PBS. 

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