3.0 

The Annual Banquet of the Gravediggers' Guild

By Mathias Énard & Frank Wynne
The Annual Banquet of the Gravediggers' Guild by Mathias Énard & Frank Wynne digital book - Fable

Publisher Description

From the winner of the Prix Goncourt, an exciting comic masterwork rooted in the French countryside. 

WINNER OF THE 2024 FRENCH-AMERICAN FOUNDATION TRANSLATION PRIZE

LONGLISTED FOR THE 2024 NATIONAL TRANSLATION AWARD IN PROSE

To research his thesis on contemporary agrarian life, anthropology student David Mazon moves from Paris to La Pierre-Saint-Christophe, a village in the marshlands of western France. Determined to understand the essence of the local culture, the intrepid young scholar scurries around restlessly on his moped to interview residents.

But what David doesn’t yet know is that here, in this seemingly ordinary place, once the stage for wars and revolutions, Death leads a dance: when one thing perishes, the Wheel of Life recycles its soul and hurls it back into the world as microbe, human, or wild animal, sometimes in the past, sometimes in the future. And once a year, Death and the living observe a temporary truce during a gargantuan three-day feast where gravediggers gorge themselves on food, drink, and language.

Brimming with Mathias Énard’s characteristic wit and encyclopedic brilliance, The Annual Banquet of the Gravediggers’ Guild is a riotous novel where the edges between past and present are constantly dissolving against a Rabelaisian backdrop of excess.

 

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The Annual Banquet of the Gravediggers' Guild Reviews

3.0
“Hi there, how's it going? Today's book is "The Annual Banquet of the Gravediggers' Guild" by Mathias Enard, Translated by Frank Wynne. We've not got much time, so let's get right into it. The Book opens with David Mazon's Anthropology Journal/Logbook/Diary, a parisian PhD student trying to define rurality. He's moved into savage mind; a tiny room owned by two farmers in La Pierre-Saint-Christophe (small hamlet, West France), which he shares with a swarm of unkillable red worms that crawl out of his plughole and drowns in bleach, (and a bit later, two cats\[unbleached until the end]) while he tries to write his thesis and deals with the deeply eccentric townspeople. You follow his interviews, his love life, his horrific dietary choices (probably a pallet of baked beans over 100 pages) and his lack of work while he figures out this weird little part of the world. And then the Author rolls up his sleeves and throws you off a bridge. There are seven chapters in this book, and 5 mini chapters. David is probably mentioned in only 3 of them, and two of those are the first and last in which he is the narrator. The other 9 chapters have nothing to do with him, and instead are about the wheel about which our souls go to upon death, where they spin about a bit and go to live new lives. Boars, flies, ducks, humans, even trees are connected by this unknowably large network of souls travelling through time and space. It's difficult to explain, so I won't. When I say the other 9 chapters, I actually mean 8. Because one of these chapters is the banquet, and that one was, again, completely different. Once a year, for 3 days, the wheel stops, and death stops claiming souls. This is apart of a truce that was declared with the undertakers. I don't know why death agreed to this, but she did, and so the Gravediggers, morticians, undertakers and the like all have a massive, gluttonous, medieval banquet. This was some of the best descriptions of food I've ever read, and also one of the funniest bits of writing I've read in a long, long time. That's not to say the whole book is funny. There are bits that are quite dark, and quite moving as well. I am a bit of a crier, and I don't think I cried in this one, but it did touch me. Tonally, narratively, this book is all over the place. It's a mess. It was difficult to follow at points, it was strange, it was uncomfortable. But I'll eat my socks if it was boring. And, most importantly, it never once tried to be anything else. At the end, Mathias writes a dedication to his father, who lived in the area that David is exploring. He reveals that several of the small historical characters and stories mentioned in the book are true, are taken from poets and story tellers from the region. And as their lives entered the wheel, so did their work, until it can find a new life in something else. This is a love story to the country, to the land, and it's inhabitants over the years. Love is messy, but it's still pretty damn cool.”

About Mathias Énard

Mathias Énard is the author of Compass (winner of the Prix Goncourt, the Leipzig Prize, and the Premio von Rezzori, and shortlisted for the 2017 Man Booker International Prize), Tell Them of Battles, Kings, and Elephants, Zone, and Street of Thieves.

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