3.5
Swann's Way
ByPublisher Description
Now available for the first time in the United States, a celebrated translation of the first volume of Proust’s In Search of Lost Time.
Swann’s Way, the first of the seven volumes that constitute Marcel Proust’s lifework, In Search of Lost Time, introduces the larger themes of the whole work while standing on its own as a brilliant evocation of childhood, hopeless love, and the French Belle Époque.
We first encounter Proust’s narrator in middle age, consumed with regret for his misspent life. Suddenly, he is back in the past, seized by memories of childhood: his clinging attachment to his mother, his dread of his father, summers in the country and the two walks his family was in the habit of taking—one by an aristocratic estate, the other by the house of a certain Charles Swann, to whom a mystery was attached. A child’s world, and the world of adults the child struggles to imagine, spread out before us, while Proust’s pages teem with incident and puzzlement, pathos and humor.
The novel then takes a further step backwards to tell the story of Swann’s infatuation with the courtesan Odette. Swann, man-about-town and familiar of royalty, is reduced to walking after midnight, forlorn as a child awaiting a goodnight kiss.
James Grieve began his career translating Proust in the early 1970s, driven by his dismay at how many readers recoiled from what they imagined to be the difficulty of Proust’s work, and his translation of Swann’s Way brings out the book’s fluency and speed as no other version does. It offers an unequaled introduction to an incomparably absorbing work of art.
Swann’s Way, the first of the seven volumes that constitute Marcel Proust’s lifework, In Search of Lost Time, introduces the larger themes of the whole work while standing on its own as a brilliant evocation of childhood, hopeless love, and the French Belle Époque.
We first encounter Proust’s narrator in middle age, consumed with regret for his misspent life. Suddenly, he is back in the past, seized by memories of childhood: his clinging attachment to his mother, his dread of his father, summers in the country and the two walks his family was in the habit of taking—one by an aristocratic estate, the other by the house of a certain Charles Swann, to whom a mystery was attached. A child’s world, and the world of adults the child struggles to imagine, spread out before us, while Proust’s pages teem with incident and puzzlement, pathos and humor.
The novel then takes a further step backwards to tell the story of Swann’s infatuation with the courtesan Odette. Swann, man-about-town and familiar of royalty, is reduced to walking after midnight, forlorn as a child awaiting a goodnight kiss.
James Grieve began his career translating Proust in the early 1970s, driven by his dismay at how many readers recoiled from what they imagined to be the difficulty of Proust’s work, and his translation of Swann’s Way brings out the book’s fluency and speed as no other version does. It offers an unequaled introduction to an incomparably absorbing work of art.
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Meet readers like you in the Fable For You feed, designed to build bookish communitiesSwann's Way Reviews
3.5
ohia
Created 9 months agoShare
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“One of the best books I’ve ever read.”
Robotswithpersonality
Created over 1 year agoShare
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“Nostalgia and run-on sentences.
Recollections of a sad, anxious boy, his memories and accounts of people, often miserable, that he grew up around, scandals that are only scandals due to the attitudes of the time. Very little of the protagonist emerges amongst detailed descriptions of the scenery (nature and architecture), a few books, even place names, aside from his ambition to become a writer and the start of one love affair, which is linked into the large digression regarding the character of Swann, not the narrator, but arguably the protagonist for half the book.
Swann in Love is less a description of that 200 pages and more of a warning. All the ways he looked down on and manipulated Odette, then Odette seemingly turns the tables or Swann buys his own con and it devolves into toxic Chasing Amy vibes because of her reputation, only for her to show up later married to him.
Proust can turn a phrase, whether it's in service of evocative imagery or a scathing insult from a society dame, but there's something overall that's not just wistful in tone but feels actively self-defeating. I'm not inspired to pick up the next volume.
⚠️ antisemitism, classism, homophobia”Lillian
Created about 2 years agoShare
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ink
Created almost 3 years agoShare
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Hannah L
Created almost 11 years agoShare
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About Marcel Proust
Marcel Proust (1871–1922) was a French novelist, critic, and essayist. Born in Auteuil, Paris, Proust began his literary career writing criticism and short stories for Le Banquet, La Revue Blanche, and Le Figaro. At 38 years old, Proust began gathering material for what would become his monumental epic, In Search of Lost time, which he would work on for the rest of his life. Published in seven volumes between 1913 and 1927, the second volume won the Prix Goncourt, France's most prestigious literary prize. The monumental epic tracks economic and cultural change taking place in France at the end of the Third Republic; its play with the themes of memory and time earned him a reputation as one of the most influential writers of the twentieth century.
James Grieve (1934–2020) was an Australian translator and author. Best known for his translations of Proust, Grieve also translated two children's books, wrote book reviews for The Canberra Times, and taught French language and literature at the Australian National University in Canberra.
James Grieve (1934–2020) was an Australian translator and author. Best known for his translations of Proust, Grieve also translated two children's books, wrote book reviews for The Canberra Times, and taught French language and literature at the Australian National University in Canberra.
Other books by Marcel Proust
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