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4.0 

Some People Need Killing

By Patricia Evangelista
Some People Need Killing by Patricia Evangelista digital book - Fable

Publisher Description

TIME’S #1 NONFICTION BOOK OF THE YEAR • A NEW YORK TIMES BOOK REVIEW TOP 10 BEST BOOK OF THE YEAR • A “riveting” (The Atlantic) account of the Philippines’ state-sanctioned killings of its citizens under President Rodrigo Duterte, hailed as “a journalistic masterpiece” (The New Yorker)
 
“Tragic, elegant, vital . . . Evangelista risked her life to tell this story.”—Tara Westover, #1 New York Times bestselling author of Educated
 
WINNER OF THE NEW YORK PUBLIC LIBRARY’S HELEN BERNSTEIN BOOK AWARD • FINALIST FOR THE CHAUTAUQUA PRIZE • LONGLISTED FOR THE WOMEN’S PRIZE • A BEST BOOK OF THE YEAR: The New York Times, The New Yorker, The Economist, Chicago Public Library, CrimeReads, The Mary Sue 

“My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don’t wait very long.”

Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte.

Some People Need Killing
is Evangelista’s meticulously reported and deeply human chronicle of the Philippines’ drug war. For six years, Evangelista documented the killings carried out by police and vigilantes in the name of Duterte’s war on drugs—a crusade that has led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of terror created when an elected president decides that some lives are worth less than others.

The book takes its title from a vigilante, whose words demonstrated the psychological accommodation many across the country had made: “I’m really not a bad guy,” he said. “I’m not all bad. Some people need killing.”

A profound act of witness and a tour de force of literary journalism, Some People Need Killing is a brilliant dissection of the grammar of violence and an investigation into the human impulses to dominate and resist.

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77 Reviews

4.0
Surprised Face with Open Mouth
Descriptive writingOriginal writingDark settingImmersive settingThought-provokingAbuseMisogynyViolence
Red Angry Face“It was what I expected and even more. I knew it was going to be heavy but that's the truth. It has transpired and it's heartbreaking. To read stories of fellow Filipinos being abused and terrorized by policemen who were driven by entitlement and violence, and empowered by no other than the president himself. It wasn't just about drug war anymore, it was madness and it killed thousands and thousands of Filipinos. Ms. Patricia Evangelista's bravery was unmeasured when she went to crime scenes and covered the news. It was even more courageous to write this book.”
Descriptive writingDark settingRealistic settingHeartbreakingAbuseMisogynyViolence
Red Angry Face“There were tears, anger and rage reading through this book. There was also guilt and a lot of realization. This was more than heartbreaking, it is inhumane. How could this have happened in this lifetime? How could we have let it happen? “Everyone was just doing their jobs,” Raffy said, “like it was an everyday thing. And it was the woman who was screaming at us. ‘Don’t you have hearts? Don’t you have a conscience?’ I don’t know if she really knew the dead guy. Maybe she did, maybe not. But she was being human. Like she was the only one who made sense that night.” Excerpt From Some People Need Killing: A Memoir of Murder in My Country Patricia Evangelista This material may be protected by copyright.”
DarkHeartbreakingAbuseMisogynyViolence

About Patricia Evangelista

Patricia Evangelista is a trauma journalist and former investigative reporter for the Philippine news company Rappler. Her reporting on armed conflict and disaster was awarded the Kate Webb Prize for exceptional journalism in dangerous conditions. She was a Headlands Artist in Residence, a New America ASU Future Security Fellow, and a fellow of the Logan Nonfiction Program, the Civitella Ranieri Foundation, and the Dart Center for Journalism and Trauma. Her work has earned local and international acclaim. She lives in Manila.

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