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3.0 

Season of the Witch

By Cathi Unsworth
Season of the Witch by Cathi Unsworth digital book - Fable

Publisher Description

Not Just Music─The Enduring Legacy of Goth

Dive deep into the tumultuous era of Margaret Thatcher’s 1980s England and the profound impact of goth on a generation of alienated youths

Goth's emergence defied a political era. As Margaret Thatcher's iron grip tightened around Britain, catalyzed by events like the miners' strikes and the rise of privatization, an unexpected counter-culture began to take root. Bands like Siouxsie and the Banshees and Joy Division, offspring of punk's raw energy, found a way to articulate the disillusionment of the times. Through their evocative sounds and iconography, they ushered in a musical movement that mirrored the societal shifts.

Politics and music find an unusual nexus. The story of goth isn't merely a tale of alienated youths or atmospheric tunes. It’s a narrative deeply intertwined with the Yorkshire Ripper's horrors, Sid Vicious's tragedy, and the societal upheavals heralded by Margaret Thatcher, the Iron Lady. Author Cathi Unsworth paints a vivid tapestry, demonstrating how goth became more than just music—it became a reflection of an era's ethos and spirit.

Inside, you'll discover:

  • Deep Political Resonance: How goth's dark melodies interlaced with the Thatcher era, the miners' strikes, and privatization.
  • Goth's Global Footprint: The journey from punk's downfall, marked by Sid Vicious, to the international acclaim of bands like Siouxsie and the Banshees.
  • Enduring Cultural Impact: An examination of goth's lasting legacy amidst alienated youths and Britain's counter-culture movement.
  • Historical Synchronicity: The parallel narrative of the Yorkshire Ripper's reign and goth's rise during Britain's most tumultuous times.

If you have read books like The Art of Darkness, Faith Hope and Carnage, Into the Void, or Goth by Lol Tolhurst, you’ll love Season of the Witch.

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Season of the Witch Reviews

3.0
“This book is just 'here is a band that did sad music which was inspired by Britain being miserable', rinse repeat ad nauseum. Nothing to tie it together, just going over band after band. It got boring and felt like a monster of the week TV show. I agree with whoever said the book felt like Wikipedia articles.”
“*3.5 out of 5* I feel a little guilty for not rating this higher because it is clear that this book has been incredibly well researched. However, I wonder if I not quite the book's target audience. I adore goth culture, literature and several goth bands but this book has had me thinking that maybe I am not quite the enthuasist that I thought I was. I loved the parts of the book that weaved goth music within the narrative of current affairs of the time and enjoyed learning about certain bands such as 'Joy Division', even though I'm not a massive fan (Honestly, couldn't name a song beyond 'Love will tear us apart). However, some of the bands were just a bit too niche for me and there wasn't enough of a draw for me to read about them so I found myself skim reading those parts. The niche aspect worked out well for me at times. For example, I really enjoy a few songs of 'Specimen'. I discovered them on a retro music programme. I had no idea the were the house band of the 'Batcave', a Soho club that pretty much kicked off the whole goth subculture in the South of England. I wish I could take a time machine and travel back to attend a club night there. I can imagine it would be a hell of a lot of fun. I love the way each chapter of the book ends with a mini profile of a 'gothmother', 'gothfather' or 'goth parents'. These outlined the lives of individuals that had an influence on goth music such as Jim Morrison, Percy and Mary Shelley and Johnny Cash. Regarding the goth/post-punk bands that I do enjoy, I couldn't get enough of these parts of the book. I enjoyed learning more about Siouxie and the Banshees and discovering song meanings that I hadn't given much thought to before (I didn't even realise 'Monitor' was about a snuff film in a sort of '1984' world). Although I'm not the biggest of fans, I enjoyed reading about Bauhaus, the Cramps, the Birthday Party, Nick Cave and the Bad Seeds, and the Cult/Southern Death Cult as I am rather partial to a few of their songs (ashamedly, I discovered the Cramps along with everyone else when the first season of 'Wednesday' was released). I was a bit disappointed that we didn't cover more about the band, 'The Damned'. For me, alongside Siouxie, the Damned is one of my favourite goth bands. I enjoyed the sections about Echo and the Bunnymen and the Cocteau Twins. I think some people may dispute whether they are goth (I'd argue the Cocteau Twins definitely started off goth) but I don't really care. I think this book has shown that I like a smattering of goth bands and several post-punk and goth-adjacent artists. Some would probably deem it absolute sacrilege that I cannot get into 'Sisters of Mercy' but they just don't do it for me. However, give me Siouxie and the Banshees and the Damned any day of the week. Bloody love them!”

About Cathi Unsworth

Cathi Unsworth is a novelist, writer and editor who lives and works in London. She began her career on the legendary music weekly Sounds at the age of 19 and has worked as a writer and editor for many other music, film and arts magazines since, including The Guardian, Financial Times, Fortean Times, Bizarre, Melody Maker, Mojo, Uncut, Volume and Deadline.

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