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3.5 

Savage Appetites

By Rachel Monroe
Savage Appetites by Rachel Monroe digital book - Fable

Publisher Description

A “necessary and brilliant” (NPR) exploration of our cultural fascination with true crime told through four “enthralling” (The New York Times Book Review) narratives of obsession.

In Savage Appetites, Rachel Monroe links four criminal roles—Detective, Victim, Defender, and Killer—to four true stories about women driven by obsession. From a frustrated and brilliant heiress crafting crime-scene dollhouses to a young woman who became part of a Manson victim’s family, from a landscape architect in love with a convicted murderer to a Columbine fangirl who planned her own mass shooting, these women are alternately mesmerizing, horrifying, and sympathetic. A revealing study of women’s complicated relationship with true crime and the fear and desire it can inspire, together these stories provide a window into why many women are drawn to crime narratives—even as they also recoil from them.

Monroe uses these four cases to trace the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. Combining personal narrative, reportage, and a sociological examination of violence and media in the 20th and 21st centuries, Savage Appetites is a “corrective to the genre it interrogates” (The New Statesman), scrupulously exploring empathy, justice, and the persistent appeal of crime.

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Savage Appetites Reviews

3.5
“This was such an interesting approach to true crime. I loved listening to the audio. The division of perspectives (detective, victim, defender, murderer) was an intriguing way to discuss the variety of cases and people affected. The author gave me enough information to make me want more - especially about Lee and her nutshells.”

About Rachel Monroe

Rachel Monroe is a writer and volunteer firefighter living in Marfa, Texas. Her work has appeared in The Best American Travel Writing 2018, The New Yorker, The Atlantic, The New York Times, The New York Times Magazine, and elsewhere.

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