4.0
Recollections of My Nonexistence
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Shortlisted for the James Tait Black Prize for Biography
Longlisted for The Orwell Prize for Political Writing
An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent, from the author of Orwell's Roses
In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer--books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West.
Beyond being a memoir, Solnit's book is also a passionate argument: that women are not just impacted by personal experience, but by membership in a society where violence against women pervades. Looking back, she describes how she came to recognize that her own experiences of harassment and menace were inseparable from the systemic problem of who has a voice, or rather who is heard and respected and who is silenced--and how she was galvanized to use her own voice for change.
Longlisted for The Orwell Prize for Political Writing
An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent, from the author of Orwell's Roses
In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer--books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West.
Beyond being a memoir, Solnit's book is also a passionate argument: that women are not just impacted by personal experience, but by membership in a society where violence against women pervades. Looking back, she describes how she came to recognize that her own experiences of harassment and menace were inseparable from the systemic problem of who has a voice, or rather who is heard and respected and who is silenced--and how she was galvanized to use her own voice for change.
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“I must admit, as terrifying as it can be sometimes I really do love being a woman. Women can be anything. I know that now, in my adult years. I’m kindergarten my dream was to be a bull rider. I was told that girls couldn’t do that and it drove me to want it even more. I have since abandoned that dream because I realized I just wanted to be rowdy, outspoken, and confident.
Women are being silenced more than we ever have been in my lifetime. My words, my rowdy words, are more important now than ever. Yours are too. Female voices bring reason, empathy, and logic to things that need the variety.
Feminism is political (although it shouldn’t have to be) and because of that I, and my writing, are political. “In order to write poetry that isn’t political, I must hear the birds. And in order to hear the birds, the warplanes must be silent” let me listen to the birds. Give me a voice.”
About Rebecca Solnit
Rebecca Solnit is the author of more than twenty books, including A Field Guide to Getting Lost, The Faraway Nearby, AParadise Built in Hell, River of Shadows, and Wanderlust. She is also the author of Men Explain Things to Me and many essays on feminism, activism and social change, hope, and the climate crisis. A product of the California public education system from kindergarten to graduate school, she is a regular contributor to The Guardian and other publications.
Other books by Rebecca Solnit
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