4.0 

Positive Obsession

By Susana M. Morris
Positive Obsession by Susana M. Morris digital book - Fable

Publisher Description

A magnificent cultural biography that charts the life of one of our greatest writers, situating her alongside the key historical and social moments that shaped her work. 

As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. Her fiction charts the rise and fall of the American project—the nation’s transformation from a provincial backwater to a capitalist juggernaut—made possible by chattel slavery—to a bloated imperialist superpower on the verge of implosion. 

In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her life: the Civil Rights Movement, Black Power, women’s liberation, queer rights, Reaganomics. Morris reveals how these influences profoundly impacted Butler’s personal and intellectual trajectory and shaped the ideas central to her writing. Her cautionary tales warn us about succumbing to fascism, gender-based violence, and climate chaos while offering alternate paradigms to religion, family, and understanding our relationships to ourselves. Butler envisioned futures with Black women at the center, raising our awareness of how those who are often dismissed have the knowledge to shift the landscape of our world. But her characters are no magical martyrs, they are tough, flawed, intelligent, and complicated, a reflection of Butler’s stories. 

Morris explains what drove Butler: She wrote because she felt she must. “Who was I anyway? Why should anyone pay attention to what I had to say? Did I have anything to say? I was writing science fiction and fantasy, for God’s sake. At that time nearly all professional science-fiction writers were white men. As much as I loved science fiction and fantasy, what was I doing? Well, whatever it was, I couldn’t stop. Positive obsession is about not being able to stop just because you’re afraid and full of doubts. Positive obsession is dangerous. It’s about not being able to stop at all.” 

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Positive Obsession Reviews

4.0
“All right well this book you'll have to take with a grain of salt it has the author's personal view or opinions on say current events or perspectives from their view of things on life in general. But the main focus is about Octavia E Butler like a biography or a memoir in a way from Susana m Morris perspective, supported by the research sources/ notes. Keep in mind we all agreed to disagree on anything that is said that goes on in America good or bad, right or wrong. 🙌🙂”
“I really really wish we had a memoir from Octavia. I would love to be in her head a bit more and have her talk about her work, childhood, and life. Morris is an obvious fan of Butler's work, and it shows. That's not necessarily a bad thing. I really liked Morris' take on Octavia's work and what it is showing us about our world and ourselves. I just wish it had gone deeper into Octavia, the person. Based on Octavia's journal entries, the author believes Octavia may have been nuerodivergent (very likely) and that informed how she saw and understood the world. From an early age, Octavia was an avid reader and consumed the news and current events. Her mother and grandmother were supportive of her love of reading and writing and hoped for a bigger life for her. Both her mother and grandmother's were domestics. They wanted her to go into something practical and secure, like nursing or clerical work. Octavia witnessing the disrespect her widowed mother endured from her white bosses was eye-opening and enraging for her. She knew she never wanted to be in that position but she also knew that her mother's sacrifices allowed her to put food on the table and a roof over Octavia's head. Octavia's early realization of how previous generations survived Jim Crow and enslavement led her to write Kindred (the first novel I read by Octavia). She saw members of her generation talk down on their ancestors ("I am not my ancestors" versus "I am my ancestors' wildest dream") for being "weak" and not fighting back against an oppressive regime. Kindred asked the question, what would you do as a modern person if you were sent back to the antebellum South and enslaved? The machoness goes out the window with the realization that you would be beaten, tortured, and/or killed. This novel showed the everyday acts of rebellion enslaved people engaged in and the communities they created to endure. I was hooked by this novel's depiction of white supremacy and how it alters Dana and Kevin. Dana embodied that "I am not my ancestors" trope and Kevin was the white, liberal ally that believed if he were there he would have put a stop to it all. Reality is different and white supremacy is a hell of a drug. If the job was just to talk about what was happening around the time Octavia created her works and how it informed her work, that job was completed. I actually enjoyed Octavia's scathing opinions about political figures and what they were doing. Getting all of that in her words was funny, but also...no notes, sis. She went in. How she studied people and their behavior is inspiring me to do the same. I'm definitely adopting some of her practices. What I would have loved from this is if Morris had included interviews from peers and kith and kin that knew Octavia personally. The only time we really got a little of that was when Morris talked about Octavia's death and the tributes to her (which were sweet). All that aside, it's still a good book even if a little repetitive at times. This is the first book I've read about Octavia E. Butler's (an author I greatly admire as well), and I'm happy I read it.”
“Octavia E. Butler is my idol”

About Susana M. Morris

Susana Morris is Associate Professor of Literature, Media, and Communication at the Georgia Institute of Technology. She has been an Anschutz Distinguished Fellow at Princeton University and was most recently the Norman Freeling Visiting Professor at the University of Michigan. She is the author of Close Kin and Distant Relatives: The Paradox of Respectability in Black Women’s Literature, co-editor, with Brittney C. Cooper and Robin M. Boylorn, of The Crunk Feminist Collection, and co-author, with Brittney C. Cooper and Chanel Craft Tanner, of the young adult handbook Feminist AF: The Guide to Crushing Girlhood. She is the co-founder of The Crunk Feminist Collective and has written for Gawker, Long Reads, Cosmopolitan.com and Ebony.com, and has also been featured on NPR and the BBC, and in Essence and the New York Times. 

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