4.5
One Hundred More Poems from the Chinese
ByPublisher Description
An assemblage of delicate Chinese verse which delicately explore the worlds of love, nature, and meditation.
Love and the Turning Year includes a selection from the Yueh Fu—folk songs from the Six Dynasties Period (fourth-fifth centuries A.D.). Most of the songs are simple, erotic lyrics. Some are attributed to legendary courtesans, while others may have been sung at harvest festivals or marriage celebrations. In addition to the folk songs, Rexroth offers a wide sampling of Chinese verse: works by 60 different poets, from the third century to our own time. Rexroth always translated Chinese poetry—as he said—“solely to please myself.” And he created, with remarkable success, English versions which stand as poems in their own right.Download the free Fable app
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Meet readers like you in the Fable For You feed, designed to build bookish communitiesOne Hundred More Poems from the Chinese Reviews
4.5
“Another 5-star poetry collection that was so good, I took pictures of some of the poems to remember them always.”
“the moon imagery in this is spectacular”
“This is such a good poetry collection, spanning from the Han Dynasty (200 BC) to the Qing Dynasty (around 1700). Most of the poems center around themes of the beauty of nature, growing older, and reminiscing on the past. While I think some of the pretty language would come through better in its original Chinese, this book is filled with classic Chinese poems filled with beautiful words.”
About Kenneth Rexroth
Poet-essayist Kenneth Rexroth (1905-1982) was a high-school dropout, disillusioned ex-Communist, pacifist, anarchist, rock-climber, critic and translator, mentor, Catholic-Buddhist spiritualist and a prominent figure of San Francisco's Beat scene. He is regarded as a central figure of the San Francisco Renaissance and is among the first American poets to explore traditional Japanese forms such as the haiku.
Other books by Kenneth Rexroth
Kenneth Rexroth
Poet-essayist Kenneth Rexroth (1905-1982) was a high-school dropout, disillusioned ex-Communist, pacifist, anarchist, rock-climber, critic and translator, mentor, Catholic-Buddhist spiritualist and a prominent figure of San Francisco's Beat scene. He is regarded as a central figure of the San Francisco Renaissance and is among the first American poets to explore traditional Japanese forms such as the haiku.
Other books by Kenneth Rexroth
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