Off the Planet
ByPublisher Description
In recent years, music and sound have been increasingly recognized as an important, if often neglected, aspect of film production and film studies.
comprises a lively, stimulating, and diverse collection of essays on aspects of music, sound, and science fiction cinema.
Following a detailed historical introduction to the development of sound and music in the genre, individual chapters analyze key films, film series, composers, and directors in the postwar era. The first part of the anthology profiles seminal 1950s productions such as
, the first Godzilla film, and
. Later chapters analyze the work of composer John Williams, the career of director David Cronenberg, the Mad Max series, James Cameron's Terminators, and other notable SF films such as
,
,
, and
.
is an important contribution to the emerging body of work in music and film, with contributors including leading film experts from Australia, Canada, Japan, New Zealand, the United Kingdom, and the United States.
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About Rebecca Leydon
Philip Hayward is Professor of Contemporary Music Studies at Macquarie University, Sydney, and co-editor of Perfect Beat—The Pacific Journal of Research into Contemporary Music and Popular Culture. He has written and edited several other books, including Widening the Horizon: Exoticism in Post-War Popular Music (John Libbey, 1999).
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