3.0
No One
ByPublisher Description
A stunning evocation of the shifting emotional landscape of a man who has lost his way and a daughter who cannot find her father, No One is an intimate novel of love and loss.
Cleaning up her father’s home after his death, Gwenaëlle Aubry discovered a handwritten, autobiographical manuscript with a note on the cover: “to novelize.” The title was The Melancholic Black Sheep, but the subtitle An Inconvenient Specter had been crossed out. The specter? Her father’s disabling bipolar disorder. Aubry had long known that she wanted to write about her father; his death, and his words, gave her the opportunity to explain his many absences—even while he was physically present—and to sculpt her memory of him. No One is the portrait of a man without a true self; a one-time distinguished lawyer and member of the Paris bar who imagined himself in many important roles—a procession of doubles, a population of masks—who became a drifter and frequent visitor to mental institutions. Moving between the voices of daughter and father, this fictional memoir in dictionary form investigates the many men behind the masks, and a unified portrait evolves. A describes her father’s adopted persona as Antonin Artaud, the poet/playwright; B is for James Bond; H is for homeless; and, finally, Z is for Zelig, the Woody Allen character who could transform his appearance to that of the people around him. Letter by letter, Aubry gives shape and meaning to the father who had long disappeared from her view. The whole is a beautifully written, vivid exploration of a particular experience of mental illness and what it can reveal more generally about human experience.Download the free Fable app
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Meet readers like you in the Fable For You feed, designed to build bookish communities5 Reviews
3.0
Irina
Created over 4 years agoShare
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Dame Dean
Created over 7 years agoShare
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“Amazing example of poetic language that binds reality and fiction that succinctly captures bipolar disorder of the author's father and her relationship to him and his death. Tin House brings an apt example of l'autofiction with this fictional memoir.”
Leeann
Created almost 9 years agoShare
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“Wordy at times and too poetic for my taste, I did like the premise of Aubry's book and her decision to include her father's own words. There were a lot of awesome lines sprinkled throughout, well-written and poignant. But her style was too heavy for me and bogged down a lot of the chapters.”
shesrunningwithit
Created over 11 years agoShare
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“I think this book proved to me that I am not the literature-guru I sometimes believe myself to be.
I didn't really "get it" and therefore only marked it as "ok/2-stars." The style was interesting and some of the confusion felt by the father was palpable, but for the most part I was getting lost in the long run on paragraphs with dozens of commas and new thoughts entering the already perplexing subjects.”
Hashbrown
Created almost 13 years agoShare
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About Gwenaelle Aubry
A novelist and a philosopher, Gwenaëlle Aubry studied at the École Normale Supérieure in Paris and Trinity College in Cambridge. She published her first novel, Le diable détacheur (Actes Sud), in 1999, followed in 2002 and 2003 by L’Isolée (Stock) et L'Isolement (Stock) and Notre vie s’use en transfigurations (Actes Sud, 2007), written while in residency at the Villa Medicis in Rome. She is also the author of several nonfiction works including a translation of a treatise by Plotinus. In 2009, she won the Prix Femina for No One.
Trista Selous
Trista Selous lives in London, where she works as a translator and teacher of French. She has published many translations and is the author of a book on the novels of Marguerite Duras.
Other books by Trista Selous
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