3.0
Musical Tables
ByPublisher Description
NATIONAL BESTSELLER • From the former United States Poet Laureate and New York Times bestselling author of Aimless Love, a collection of more than 125 small poems, all of them new, and each a thought or observation compressed to its emotional essence
“Whenever I pick up a new book of poems, I flip through the pages looking for small ones. Just as I might have trust in an abstract painter more if I knew he or she could draw a credible chicken, I have faith in poets who can go short.”—Billy Collins
You can spot a Billy Collins poem immediately. The amiable voice, the light touch, the sudden turn at the end. He "puts the ‘fun’ back in profundity,” says poet Alice Fulton. In his own words, his poems tend to “begin in Kansas and end in Oz.”
Now “America’s favorite poet” (The Wall Street Journal) has found a new form for his unique poetic style: the small poem. Here Collins writes about his trademark themes of nature, animals, poetry, mortality, absurdity, and love—all in a handful of lines. Neither haiku nor limerick, the small poem pushes to an extreme poetry’s famed power to condense emotional and conceptual meaning. Inspired by the small poetry of writers as diverse as William Carlos Williams, W.S. Merwin, Kay Ryan, and Charles Simic, and written with Collins’s recognizable wit and wisdom, the poems of Musical Tables show one of our greatest poets channeling his unique voice into a new phase of his exceptional career.
3:00 AM
Only my hand
is asleep,
but it’s a start.
“Whenever I pick up a new book of poems, I flip through the pages looking for small ones. Just as I might have trust in an abstract painter more if I knew he or she could draw a credible chicken, I have faith in poets who can go short.”—Billy Collins
You can spot a Billy Collins poem immediately. The amiable voice, the light touch, the sudden turn at the end. He "puts the ‘fun’ back in profundity,” says poet Alice Fulton. In his own words, his poems tend to “begin in Kansas and end in Oz.”
Now “America’s favorite poet” (The Wall Street Journal) has found a new form for his unique poetic style: the small poem. Here Collins writes about his trademark themes of nature, animals, poetry, mortality, absurdity, and love—all in a handful of lines. Neither haiku nor limerick, the small poem pushes to an extreme poetry’s famed power to condense emotional and conceptual meaning. Inspired by the small poetry of writers as diverse as William Carlos Williams, W.S. Merwin, Kay Ryan, and Charles Simic, and written with Collins’s recognizable wit and wisdom, the poems of Musical Tables show one of our greatest poets channeling his unique voice into a new phase of his exceptional career.
3:00 AM
Only my hand
is asleep,
but it’s a start.
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Meet readers like you in the Fable For You feed, designed to build bookish communitiesMusical Tables Reviews
3.0
“Honest, I do enjoy this poem book. It was fast paced which’s easily to read. I had some favorite quotes from this book. I would to share a one quote.
“ Simile
A poem about music
is like a branch about bird.””About Billy Collins
Billy Collins is the former Poet Laureate of the United States. He is the author of twelve collections of poetry, including the bestsellers Aimless Love, The Trouble with Poetry, and Sailing Alone Around the Room. He is also the editor of Poetry 180, 180 More, and Bright Wings. A former Distinguished Professor at Lehman College of the City University of New York, Collins served as New York State Poet from 2004 to 2006. In 2016 he was inducted into the American Academy of Arts and Letters. He lives in Florida with his wife, Suzannah.
Other books by Billy Collins
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