3.5
Monsters
ByPublisher Description
A NEW YORK TIMES NOTABLE BOOK • NATIONAL BESTSELLER • A timely, passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of cancel culture, and of the link between genius and monstrosity. Can we love the work of controversial classic and contemporary artists but dislike the artist?
"A lively, personal exploration of how one might think about the art of those who do bad things" —Vanity Fair • "[Dederer] breaks new ground, making a complex cultural conversation feel brand new." —Ada Calhoun, author of Also a Poet
From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, Monsters is “part memoir, part treatise, and all treat” (The New York Times). This unflinching, deeply personal book expands on Claire Dederer’s instantly viral Paris Review essay, "What Do We Do with the Art of Monstrous Men?"
Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience's relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss?
Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.
“Monsters leaves us with Dederer’s passionate commitment to the artists whose work most matters to her, and a framework to address these questions about the artists who matter most to us." —The Washington Post
A Best Book of the Year: The New York Times, NPR, The Washington Post, The New Yorker, Vulture, Elle, Esquire, Kirkus
"A lively, personal exploration of how one might think about the art of those who do bad things" —Vanity Fair • "[Dederer] breaks new ground, making a complex cultural conversation feel brand new." —Ada Calhoun, author of Also a Poet
From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, Monsters is “part memoir, part treatise, and all treat” (The New York Times). This unflinching, deeply personal book expands on Claire Dederer’s instantly viral Paris Review essay, "What Do We Do with the Art of Monstrous Men?"
Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience's relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss?
Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.
“Monsters leaves us with Dederer’s passionate commitment to the artists whose work most matters to her, and a framework to address these questions about the artists who matter most to us." —The Washington Post
A Best Book of the Year: The New York Times, NPR, The Washington Post, The New Yorker, Vulture, Elle, Esquire, Kirkus
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Meet readers like you in the Fable For You feed, designed to build bookish communitiesMonsters Reviews
3.5
“This is such an interesting topic to me - how and if we should separate the art from the artist and if the artist is a monster, how does this impact whether we consume their media (or not as the case may be).
In our age of the internet and cancel culture, monsters are exposed constantly - meaning fans are grappling with whether it is ‘okay’ or ‘right’ to continue being a fan.
I think this line just about sums up Claire Dederer’s stance; ‘consuming a piece of art is two biographies meeting: the biography of the artist, which might disrupt the consuming of the art; and the biography of the audience member, which might shape the viewing of the art.’
The book delves into well known figures and celebrities from artists and performers to writers and musicians with discussion about the levels of monstrosity and the impact it’s had on their creations. There are chapters that feel like more of a memoir, and others that read more as critical essays. I found it interesting and think the topic is more and more relevant than ever.
It was an interesting read, but mixed bag in terms of the chapters in my opinion.”
“thoughtful inquiry into the reception of bad men in art & culture. where do we go from here?”
About Claire Dederer
CLAIRE DEDERER is the author of Love and Trouble, and the New York Times best-selling memoir Poser: My Life in Twenty-Three Yoga Poses, which has been translated into twelve languages. A book critic, essayist, and reporter, Dederer is a longtime contributor to The New York Times and has also written for The Atlantic, Vogue, Slate, The Nation, and New York magazine. She lives near Seattle with her family.
Other books by Claire Dederer
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