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3.0 

Monsieur Pain

By Roberto Bolaño & Chris Andrews
Monsieur Pain by Roberto Bolaño & Chris Andrews digital book - Fable

Publisher Description

“The greatest writer to have appeared in Latin America since the so-called ‘boom’ . . . I’m tempted to call Bolaño the love child of David Lynch and Jorge Luis Borges—he’s that visceral and erudite—but this wouldn’t do justice to his ambition.” —John Powers, NPR’s Fresh Air

In 1938 Paris, Monsieur Pierre Pain, a beleaguered mesmerist and a lonely bachelor, receives a telegram from his friend and unrequited love, Madame Reynaud: an acquaintance of hers lies in a hospital bed beset with a mysterious, and apparently terminal, case of the hiccups. She entreats Pain to use his peculiar skill set to cure him, and buoyed by her confidence, he agrees. But nothing about this case turns out to be ordinary, and soon Pain finds himself entangled in a dark and indecipherable sequence of events that sends him racing through the umbrous streets of Paris, lost and delirious. He attempts to visit the patient—none other than the exiled Peruvian poet César Vallejo—only to be barred from his bedside. He is stalked by a ghostly pair of men who emerge from the shadows to bribe him not to treat the poet. He encounters a former peer, now working across the border in war-torn Spain, whose career has taken a shockingly sinister turn, one which may explain this entire nightmare—or prove just another coincidence. A hypnotic and surreal noir, Roberto Bolaño’s Monsieur Pain takes us on a labyrinthine journey through conspiracy, occultism, and the unfathomable evil looming in our midst.

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Monsieur Pain Reviews

3.0
“This just didn’t feel the same as Bolaño’s other books until the epilogue. I think Amulet or Nazi Literature are still my least favorite Bolaño books, but this one isn’t all that much better than either. It was very different from what I was expecting, and some parts (dinner with the two Spaniards, the warehouse, the theater with Pleumeur-Bodou, the epilogue of deaths) were pretty interesting and memorable. The tone and the writing felt a lot more sophisticated compared to Bolaño’s earlier books, but that didn’t really work in the book’s favor.”
“the delirium imposed upon me from the fevers that have pervaded this week of my life heightened the surrealist aspects of monsieur pain for me….a similar experience to watching a film from the earliest years of the french nouvelle vague, reminiscent of something a young truffaut would put out”

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