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3.0 

Long Live Latin

By Nicola Gardini
Long Live Latin by Nicola Gardini digital book - Fable

Publisher Description

A “fascinating” meditation on the joys of a not-so-dead language (Los Angeles Review of Books).

From acclaimed novelist and Oxford professor Nicola Gardini, this is a personal and passionate look at the Latin language: its history, its authors, its essential role in education, and its enduring impact on modern life—whether we call it “dead” or not.

What use is Latin? It’s a question we’re often asked by those who see the language of Cicero as no more than a cumbersome heap of ruins, something to remove from the curriculum. In this sustained meditation, Gardini gives us his sincere and brilliant reply: Latin is, quite simply, the means of expression that made us—and continues to make us—who we are. In Latin, the rigorous and inventive thinker Lucretius examined the nature of our world; the poet Propertius told of love and emotion in a dizzying variety of registers; Caesar affirmed man’s capacity to shape reality through reason; Virgil composed the Aeneid, without which we’d see all of Western history in a different light.

In Long Live Latin, Gardini shares his deep love for the language—enriched by his tireless intellectual curiosity—and warmly encourages us to engage with a civilization that has never ceased to exist, because it’s here with us now, whether we know it or not. Thanks to his careful guidance, even without a single lick of Latin grammar, readers can discover how this language is still capable of restoring our sense of identity, with a power that only useless things can miraculously express.

“Gardini gives another reason for studying classical languages: ‘The story of our lives is just a fraction of all history . . . life began long before we were born.’ This is the very opposite of a practical argument—it is a meditative, even self-effacing one. To learn a language because it was spoken by some brilliant people 2,000 years ago is to celebrate the world; not a way to optimize yourself, but to get over yourself.” —The Economist

“Nicola Gardini’s paean to Latin belongs on the shelf alongside Nabokov’s Lectures on Literature. With a similar blend of erudition, reverence, and impeccable close reading, he connects the dots between etymology and poetry, between syntax and society. And he proves, in the process, that a mysterious and magnificent language, born in ancient Rome, is still relevant to each and every one of us.” —Jhumpa Lahiri, Pulitzer Prize winner and New York Times–bestselling author of Roman Stories

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4 Reviews

3.0
“invitus, regina, tuo de litore cessi. against my will, O queen, I left your shores. Seamus Heaney: I embarked from your shore, my queen, unwillingly... (Virgil) "Literature is a handing-down, a reservoir of memory, a genealogical system; in a word, imitatio, a cornerstone of aesthetics in the ancient world. Imitation does not prohibit or exclude innovation. The poet-creator's so-called originality is in truth a myth of the Romantic age." "Pietas is devotion to intellectual clarity, to responsible judgment, to assured intuition." "Life therefore organizes itself in the universe_and here's the interpretive paradigm—just as language organizes itself on the page. The creation is writing, and writing the creation. The poem itself is a small-scale image of the universe." "By carefully alternating the musical note lengths in a sentence, it is as if one can mirror the order of the cosmos itself." "To speak of 'Latin' is first and foremost to speak of complete dedication to organizing one's thoughts in a profound and measured discourse, to select meanings in the most pertinent manner possible, to arrange one's words in a harmonious order, to give verbal evidence of even the most fleeting states of our inner self, to believe in verbal expression and in demonstration, to record the contingent and the transient in a language that survives beyond all circumstance." "Thanks to Latin, every word I knew doubled in sense. Beneath the garden of everyday language lay a bed of ancient roots." "If on the one hand this multiplicity of meanings requires an understanding of history and a faith in even the most remote connotation, on the other it makes one alert to insidious nuance, to the splendor of figurative language, and therefore to ambivalence, elusiveness, mystique, and the gift of saying two or even three things at once." "The study of Latin...must not be treated like a cognitive boot camp...Latin is beautiful...Beauty is the face of freedom...Why give ourself practical reasons for encountering beauty? Why impede ourselves with false arguments about comprehension? Why submit ourselves to the cult of instant access, of destination over journey, of answers at the click of a button, of the shrinking attention span? Why surrender to the willlessness, the superficial, the defeatists, the utilitarians?...A living language is one that endures and produces other languages." "Literary dialogue is a simulation of speech...literature being the space in which we express spiritual nobility through linguistic excellence." "The functions that literature has traditionally served, and is still quite capable of serving, better than any other form of knowledge or communication: giving order and meaning to the human experience through story and metaphor; broadening the scope of the visible by imagining potential worlds; forming and disseminating paradigms of thought and action; representing ideas and modes of living that are still resistant to, or already exist beyond, institutionalization; giving form to feelings and emotions and moral values; reflecting on justice and beauty, and constructing cultural centers out of otherwise distant and fragmentary communities; and, not least, uplifting a national language to the level of art. And, in doing all this, allowing a particular kind of pleasure: the pleasure of understanding through interpretation." "Words! Our greatest gift, our most fertile ground." "To enter into contacts with the ancients requires a transference of oneself, as clearly indicated by the Latin preposition trans: this is an effort to understand historically, to step out of one's individual identity and approach the other."”

About Nicola Gardini

Nicola Gardini is Professor of Italian and Comparative Literature at the University of Oxford. A novelist, poet, critic, translator, and painter, he is the author of numerous books. One of his recent novels, Lost Words, was awarded the Viareggio-Rèpaci Prize and the Zerilli-Marimò / City of Rome Prize for Italian Fiction. Long Live Latin was a bestseller in Italy and has been translated into several languages.

Todd Portnowitz is the translator of the poetry collections Go Tell It to the Emperor by Pierluigi Cappello and Midnight in Spoleto by Paolo Valesio, and the recipient of a Raiziss/de Palchi Fellowship from the Academy of American Poets. He lives in Brooklyn, NY.

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