3.5
Like a Rolling Stone
By Greil MarcusPublisher Description
Greil Marcus saw Bob Dylan for the first time in a New Jersey field in 1963. He didn't know the name of the scruffy singer who had a bit part in a Joan Baez concert, but he knew his performance was unique. So began a dedicated and enduring relationship between America's finest critic of popular music -- "simply peerless," in Nick Hornby's words, "not only as a rock writer but as a cultural historian" -- and Bob Dylan. In Like A Rolling Stone Marcus locates Dylan's six-minute masterwork in its richest, fullest context, capturing the heady atmosphere of the recording studio in 1965 as musicians and technicians clustered around the mercurial genius from Minnesota, the young Bob Dylan at the height of his powers.
But Marcus shows how, far from being a song only of 1965, "Like a Rolling Stone" is rooted in faraway American places and times, drawing on timeless cultural impulses that make the song as challenging, disruptive, and restless today as it ever was, capable of reinvention by artists as disparate as the comedian Richard Belzer and the Italian hip-hop duo Articolo 31. "Like a Rolling Stone" never loses its essential quality, which is directly to challenge the listener: it remains a call to arms and a demand for a better world. Forty years later it is still revolutionary as will and idea, as an attack and an embrace. How Does it Feel? In this unique, burningly intense book, Marcus tells you, and much more besides.
But Marcus shows how, far from being a song only of 1965, "Like a Rolling Stone" is rooted in faraway American places and times, drawing on timeless cultural impulses that make the song as challenging, disruptive, and restless today as it ever was, capable of reinvention by artists as disparate as the comedian Richard Belzer and the Italian hip-hop duo Articolo 31. "Like a Rolling Stone" never loses its essential quality, which is directly to challenge the listener: it remains a call to arms and a demand for a better world. Forty years later it is still revolutionary as will and idea, as an attack and an embrace. How Does it Feel? In this unique, burningly intense book, Marcus tells you, and much more besides.
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Meet readers like you in the Fable For You feed, designed to build bookish communities2 Reviews
3.5
laura
Created over 1 year agoShare
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“Le doy 3 estrellas porque no sé qué nota poner a este libro y es la que está en medio.
Por una parte, es un libro pretencioso hasta decir basta y NO quisiera echarme jamás a la vista a marcus greil (sin duda cualquier conversación con él terminaría en un monólogo de su parte). Y es que este libro es eso, un monólogo de marcus greil, 100% subjetivo, repetitivo y, en casos, radical.
Pero a pesar de todo, me ha gustado... su estilo pomposo me ha gustado, transmite su pasión por la música, por bob dylan y por like a rolling stone perfectamente, y aunque no quisiera tener jamás una conversación con marcus greil, sí que escucharía un podcast suyo. Me ha interesado muchísimo saber más de esa época de los 50-60 en estados unidos, con la influencia beat, la contracultura y todo lo que vino después. Y como like a rolling stone resume perfectamente todo ello.”
Allie Pottenger
Created over 10 years agoShare
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About Greil Marcus
Greil Marcus is the author of Bob Dylan by Greil Marcus, When that Rough God Goes Riding, The Shape of Things to Come, Mystery Train, Dead Elvis, In the Fascist Bathroom, Double Trouble, Like a Rolling Stone, and The Old Weird America; a twentieth anniversary edition of his book Lipstick Traces was published in 2009.
With Werner Sollors he is the editor of A New Literary History of America, published last year by Harvard University Press. Since 2000 he has taught at Princeton, Berkeley, Minnesota, and the New School in New York; his column "Real Life Rock Top 10" appears regularly in the Believer. He has lectured at U Cal, Berkeley, The Whitney Museum of Art, and Princeton University. He lives in Berkeley.
With Werner Sollors he is the editor of A New Literary History of America, published last year by Harvard University Press. Since 2000 he has taught at Princeton, Berkeley, Minnesota, and the New School in New York; his column "Real Life Rock Top 10" appears regularly in the Believer. He has lectured at U Cal, Berkeley, The Whitney Museum of Art, and Princeton University. He lives in Berkeley.
Other books by Greil Marcus
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