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3.5 

Killing Commendatore

By Haruki Murakami
Killing Commendatore by Haruki Murakami digital book - Fable

Publisher Description

NATIONAL BESTSELLER • A tour de force of love and loneliness, war and art—from one of our greatest writers. “Exhilarating ... magical.” —The Washington Post

When a thirty-something portrait painter is abandoned by his wife, he secludes himself in the mountain home of a world famous artist. One day, the young painter hears a noise from the attic, and upon investigation, he discovers a previously unseen painting. By unearthing this hidden work of art, he unintentionally opens a circle of mysterious circumstances; and to close it, he must undertake a perilous journey into a netherworld that only Haruki Murakami could conjure.

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Killing Commendatore Reviews

3.5
“Like most other Murakami books, this was a banger. This one leans more into his magical realism, especially in the areas concerning the Commendatore, which was pretty cool, but the majority of the story stays grounded. I was actually a bit surprised by how little occurs for large chunks of the story; we mostly follow the unnamed protagonist as he navigates mundane issues in his life and his new relationships with his neighbors. As a result, I do think the book is a little long and there are portions of it that feel repetitive, especially when we're merely following the protagonist or Menshiki repeating the same conversations or actions. Particularly, I think Mariye's time spent in Menshiki's house at the end could've been shortened. All of the details relating to portrait painting specifically and painting in general were cool, but I also didn't care that much about the technical side. That being said, I was never bored with the story, and I found it a very rewarding experience to complete. Due to the limited character list, Murakami spends most of the novel drilling down into each of these characters and really building out their outer and inner selves; the protagonist, Menshiki, and Tomohiko Amada being the biggest recipients. I was especially interested in Menshiki, and I think he turns out to be one of Murakami's most complex characters to date; his own personality traits are compelling enough, but then his relationship with Mariye and the Commendatore's warning of the gap in his heart add a lot more to him. The story ends up resembling a circle, and things come to a nice conclusion by the end. I could see some people being upset that not everything is cleared up; like, what is that Underworld the protagonist entered into, or who is the man with the white Subaru? But I thought all of the biggest plot-oriented questions were answered, and as one of the themes suggests, some secrets are meant to be kept hidden.”

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