4.0
Iago
ByPublisher Description
From one of the greatest Shakespeare scholars of our time, Harold Bloom presents Othello’s Iago, perhaps the Bard’s most compelling villain—the fourth in a series of five short books about the great playwright’s most significant personalities.
Few antagonists in all of literature have displayed the ruthless cunning and deceit of Iago. Denied the promotion he believes he deserves, Iago takes vengeance on Othello and destroys him.
One of William Shakespeare’s most provocative and culturally relevant plays, Othello is widely studied for its complex and enduring themes of race and racism, love, trust, betrayal, and repentance. It remains widely performed across professional and community theatre alike and has been the source for many film and literary adaptations. Now award-winning writer and beloved professor Harold Bloom investigates Iago’s motives and unthinkable actions with razor-sharp insight, agility, and compassion. Why and how does Iago use lies and deception—the fake news of the 15th century—to destroy Othello and several other characters in his path? What can Othello tell us about racism?
Bloom is mesmerizing in the classroom, treating Shakespeare’s characters like people he has known all his life. He delivers exhilarating intimacy and clarity in these pages, writing about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure, so that Iago also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. “There are few readers more astute than Bloom” (Publishers Weekly), and his Iago is a provocative study for our time.
Few antagonists in all of literature have displayed the ruthless cunning and deceit of Iago. Denied the promotion he believes he deserves, Iago takes vengeance on Othello and destroys him.
One of William Shakespeare’s most provocative and culturally relevant plays, Othello is widely studied for its complex and enduring themes of race and racism, love, trust, betrayal, and repentance. It remains widely performed across professional and community theatre alike and has been the source for many film and literary adaptations. Now award-winning writer and beloved professor Harold Bloom investigates Iago’s motives and unthinkable actions with razor-sharp insight, agility, and compassion. Why and how does Iago use lies and deception—the fake news of the 15th century—to destroy Othello and several other characters in his path? What can Othello tell us about racism?
Bloom is mesmerizing in the classroom, treating Shakespeare’s characters like people he has known all his life. He delivers exhilarating intimacy and clarity in these pages, writing about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure, so that Iago also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. “There are few readers more astute than Bloom” (Publishers Weekly), and his Iago is a provocative study for our time.
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Meet readers like you in the Fable For You feed, designed to build bookish communities6 Reviews
4.0
Paul Fincher
Created about 1 year agoShare
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Sarah Snee
Created over 1 year agoShare
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“It should be illegal to characterize this short book as 'literary criticism.'
As others have noted, Bloom nearly cites every single line in the entire play. If you take out Shakespeare's text in this, I think Bloom's commentary would equal maybe 15 pages if that. And his commentary had little to no depth. Not much analysis going on or anything equating that of criticism.
The reason I give this 2 stars is because it works semi-well as a summary of the play. I didn't have time to reread the entire play two weeks ago when it was assigned so I read this instead. I suppose it was helpful to reorient myself with the play, but I was really hoping to read some level of analysis. Honestly Bloom just has a hard-on for Iago. He's a good and interesting character, sure, but the obsession with a raging manipulative racist can become a bit...much.
Massively disappointed with this. I knew that Bloom had some kind of negative reputation, so I can definitely see why here. I guess once you're a Harvard professor you can just churn out empty books for your career.”
Madeline
Created about 5 years agoShare
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Rebecca Parker
Created about 6 years agoShare
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Christina Esi
Created over 6 years agoShare
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About Harold Bloom
Harold Bloom (1930–2019) was Sterling Professor of Humanities at Yale University. He wrote more than sixty books, including Cleopatra: I Am Fire and Air, Falstaff: Give Me Life, The Western Canon, Shakespeare: The Invention of the Human, and How to Read and Why. He was a MacArthur Prize fellow, a member of the American Academy of Arts and Letters, and the recipient of many awards, including the Academy’s Gold Medal for Criticism.
Other books by Harold Bloom
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