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4.0
I entered without words: Poems (Princeton Series of Contemporary Poets, 166)
ByPublisher Description
An innovative and inviting book of poems about the places where language and landscape converge
In this strongly visual and environmentally engaged collection, award-winning poet and translator Jody Gladding explores landscape as a source of language in lyrics that operate as physical acts in three-dimensional space.
Composed and printed in a landscape format, these minimal, quiet, playful, meditative, and open-ended poems are experimental in form and inviting in subject. Drawing inspiration from poets like A. R. Ammons, Lorine Niedecker, Gustaf Sobin, and Jean Valentine, and visual artists like Ann Hamilton, Roni Horn, and Cecilia Vicuña, Gladding discovers exciting spatial possibilities within the page itself by exploiting white space and varying typefaces. As the page opens into the compositional field that Mallarmé, Ponge, and others conceived it to be, words constellate around bolded through lines to offer multiple, interwoven meanings, interacting with each other and the reader, who moves freely among them, to make poems that are spatial, nonlinear, and different with each reading. And, adding yet another dimension to the collection, many of the poems have facing-page French versions.
“Landscape-oriented” in every sense, I entered without words is an ambitious, innovative, and striking collection by a major poet.
In this strongly visual and environmentally engaged collection, award-winning poet and translator Jody Gladding explores landscape as a source of language in lyrics that operate as physical acts in three-dimensional space.
Composed and printed in a landscape format, these minimal, quiet, playful, meditative, and open-ended poems are experimental in form and inviting in subject. Drawing inspiration from poets like A. R. Ammons, Lorine Niedecker, Gustaf Sobin, and Jean Valentine, and visual artists like Ann Hamilton, Roni Horn, and Cecilia Vicuña, Gladding discovers exciting spatial possibilities within the page itself by exploiting white space and varying typefaces. As the page opens into the compositional field that Mallarmé, Ponge, and others conceived it to be, words constellate around bolded through lines to offer multiple, interwoven meanings, interacting with each other and the reader, who moves freely among them, to make poems that are spatial, nonlinear, and different with each reading. And, adding yet another dimension to the collection, many of the poems have facing-page French versions.
“Landscape-oriented” in every sense, I entered without words is an ambitious, innovative, and striking collection by a major poet.
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Meet readers like you in the Fable For You feed, designed to build bookish communitiesI entered without words: Poems (Princeton Series of Contemporary Poets, 166) Reviews
4.0
“Just reread this collection and I love it just as much as last time. This multifaceted form allows the reader to project their own thoughts onto Gladdings wonderful naturesque depictions of life and living. You have to go into this book with an open mind. Don’t doubt yourself. There’s no correct way to read these poems. I often found myself reading them multiple ways, sometimes stopping halfway through to change course. Sometimes I used words more than once, going in different directions. My biggest word of advice when going to read this book is embrace the space. Embrace the different directions. There’s no right path.”
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