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2.0
Hotel Casanova
ByPublisher Description
In twelve short texts written between 1984 and 2006, here is Annie Ernaux at her most incisive and intimate, presenting readers with yet another new experience of the razor’s edge of the author’s sensibility, this time in the form of brief works of fiction or nonfiction.
In “Hotel Casanova,” the title story of this collection, Ernaux describes a series of hotel-room trysts with a man who holds no interest for her other than sexually, just after her mother is admitted to hospital suffering from severe dementia. The story brilliantly captures the loss of sense of self, and at the same time the intense pleasure and pain that she experiences through a kind of cascade of alienation. Then, in “Histories,” Ernaux recalls a time in her childhood when she was the older girl responsible for a younger neighbor, holding her hand and bringing her to school and then home again, and the feelings of loss that ensued when this ended.
Another memory inhabits “Returns,” this time of her last visit to her mother at home, and how the collision of their two fragile emotional states plays out during the hours spent together, like a collision of the past and the future.
These personal narratives are joined by more journalistic essays on such themes as the true relationship between literature and politics, discourses on Cesare Pavese and Pierre Bourdieu—both of whom were major influences on Ernaux, though in very different ways—travel journals of Moscow, Leningrad, Leipzig, and short personal essays on writing and other subjects. A mix of seemingly unrelated texts that comprise the song of a considered life.
In “Hotel Casanova,” the title story of this collection, Ernaux describes a series of hotel-room trysts with a man who holds no interest for her other than sexually, just after her mother is admitted to hospital suffering from severe dementia. The story brilliantly captures the loss of sense of self, and at the same time the intense pleasure and pain that she experiences through a kind of cascade of alienation. Then, in “Histories,” Ernaux recalls a time in her childhood when she was the older girl responsible for a younger neighbor, holding her hand and bringing her to school and then home again, and the feelings of loss that ensued when this ended.
Another memory inhabits “Returns,” this time of her last visit to her mother at home, and how the collision of their two fragile emotional states plays out during the hours spent together, like a collision of the past and the future.
These personal narratives are joined by more journalistic essays on such themes as the true relationship between literature and politics, discourses on Cesare Pavese and Pierre Bourdieu—both of whom were major influences on Ernaux, though in very different ways—travel journals of Moscow, Leningrad, Leipzig, and short personal essays on writing and other subjects. A mix of seemingly unrelated texts that comprise the song of a considered life.
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Meet readers like you in the Fable For You feed, designed to build bookish communitiesHotel Casanova Reviews
2.0
“Not really captivating, some shorts stories are good but others ones are a little bit boring and hard to navigate maybe because I didn’t identify some events that happened probably because of a generation gap.”
About Annie Ernaux
The author of some twenty works of fiction and memoir, ANNIE ERNAUX is considered by many to be France’s most important living writer. In 2022, she was awarded the Nobel Prize in Literature. She has also won the Prix Renaudot for A Man's Place and the Marguerite Yourcenar Prize for her body of work. She has received the International Strega Prize, the Prix Formentor, the French-American Translation Prize, and the Warwick Prize for Women in Translation for The Years, which was also shortlisted for the Man Booker International Prize. Her other works include Exteriors, A Girl's Story, A Woman's Story, The Possession, Simple Passion, Happening, I Remain in Darkness, Shame, A Frozen Woman, A Man's Place, The Young Man, The Use of Photography, and The Other Girl.
ALISON L. STRAYER is a Canadian writer and translator. She won the Warwick Prize for Women in Translation, and her work has been shortlisted for the Governor General’s Award for Literature and for Translation, the Grand Prix du livre de Montréal, the Prix littéraire France-Québec, and the Man Booker International Prize. She lives in Paris.
ALISON L. STRAYER is a Canadian writer and translator. She won the Warwick Prize for Women in Translation, and her work has been shortlisted for the Governor General’s Award for Literature and for Translation, the Grand Prix du livre de Montréal, the Prix littéraire France-Québec, and the Man Booker International Prize. She lives in Paris.
Other books by Annie Ernaux
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