3.5
Home/Land
ByPublisher Description
A moving reflection on the complicated nature of home and homeland, and the heartache and adventure of leaving an adopted country in order to return to your native land—this is a “winsome memoir of departure and reversal . . . about the way a series of unknowns accrue into a life” (Jia Tolentino, author of Trick Mirror).
When the New Yorker writer Rebecca Mead relocated to her birth city, London, with her family in the summer of 2018, she was both fleeing the political situation in America and seeking to expose her son to a wider world. With a keen sense of what she’d given up as she left New York, her home of thirty years, she tried to knit herself into the fabric of a changed London. The move raised poignant questions about place: What does it mean to leave the place you have adopted as home and country? And what is the value and cost of uprooting yourself?
In a deft mix of memoir and reportage, drawing on literature and art, recent and ancient history, and the experience of encounters with individuals, environments, and landscapes in New York City and in England, Mead artfully explores themes of identity, nationality, and inheritance. She recounts her time in the coastal town of Weymouth, where she grew up; her dizzying first years in New York where she broke into journalism; the rich process of establishing a new home for her dual-national son in London. Along the way, she gradually reckons with the complex legacy of her parents. Home/Land is a stirring inquiry into how to be present where we are, while never forgetting where we have been.
When the New Yorker writer Rebecca Mead relocated to her birth city, London, with her family in the summer of 2018, she was both fleeing the political situation in America and seeking to expose her son to a wider world. With a keen sense of what she’d given up as she left New York, her home of thirty years, she tried to knit herself into the fabric of a changed London. The move raised poignant questions about place: What does it mean to leave the place you have adopted as home and country? And what is the value and cost of uprooting yourself?
In a deft mix of memoir and reportage, drawing on literature and art, recent and ancient history, and the experience of encounters with individuals, environments, and landscapes in New York City and in England, Mead artfully explores themes of identity, nationality, and inheritance. She recounts her time in the coastal town of Weymouth, where she grew up; her dizzying first years in New York where she broke into journalism; the rich process of establishing a new home for her dual-national son in London. Along the way, she gradually reckons with the complex legacy of her parents. Home/Land is a stirring inquiry into how to be present where we are, while never forgetting where we have been.
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Meet readers like you in the Fable For You feed, designed to build bookish communitiesHome/Land Reviews
3.5
“I discovered this book unexpectedly when in the Biography/Memoir section of the library. I found Mead’s writing to be like watching one painting watercolor. I am drawn to the way in which she remembers and describes both cities that contribute to her identity. Her research of important landmarks of both New York City and London are captivating to me.
“Recovery of the past - geological, archaeological, familial, personal - requires the laborious shifting of shards. It demands turning through dirt and dross in the hope of revealing an illuminating glimmer of vitality, of truth.”
🎨🎨🎨🎨🎨🎨🎨🎨🎨🎨🎨🎨🎨”
“Not sure why, but this memoir didn’t hold my attention in the same way that other pieces by this author have. Mead is a thoughtful writer and has interesting things to say about her relocation from New York back to her home country, but despite choosing to write this as a memoir, the author seems determined not to reveal too much of herself.”
“I love a memoir. Mead irritated me a bit, as she spoke quite a lot about her husband as if she is Joan Didion and can get away with that. The second half of the book was much better and ultimately I was glad to have read this”
“the writing felt like a movie montage but it was a little boring overall”
About Rebecca Mead
REBECCA MEAD has been a staff writer at The New Yorker since 1997. She has profiled many subjects and has contributed more than two hundred pieces to the Talk of the Town. She is the author of One Perfect Day and My Life in Middlemarch, a New York Times best seller. She has served as a McGraw Professor of Writing at Princeton University and is the recipient of a 2020 Guggenheim Fellowship. She lives in London.
Other books by Rebecca Mead
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