4.0
Gunfighter Nation
ByPublisher Description
"The myth of the Western frontier—which assumes that whites' conquest of Native Americans and the taming of the wilderness were preordained means to a progressive, civilized society—is embedded in our national psyche. U.S. troops called Vietnam 'Indian country.' President John Kennedy invoked 'New Frontier' symbolism to seek support for counterinsurgency abroad. In an absorbing, valuable, scholarly study, [the author] traces the pervasiveness of frontier mythology in American consciousness from 1890. . . . Dime novels and detective stories adapted the myth to portray gallant heroes repressing strikers, immigrants and dissidents. Completing a trilogy begun with
and
, Slotkin unmasks frontier mythmaking in novels and Hollywood movies. The myth's emphasis on use of force over social solutions has had a destructive impact, he shows." —
"Stirring . . . Breaks new ground in its careful explication of the continuing dynamic between politics and myth, myth and popular culture." —
"A subtle and wide-ranging examination how America's fascination with the frontier has affected its culture and politics. . . . Intellectual history at its most stimulating—teeming with insights into American violence, politics, class, and race." —
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Meet readers like you in the Fable For You feed, designed to build bookish communitiesAbout Richard Slotkin
, widely regarded as one of America’s leading cultural critics, is a two-time finalist for the National Book Award. In addition to his prize-winning trilogy on the myth of the frontier in America, Slotkin is the author of
, a New York Times Notable Book, and
, as well as three historical novels, including
. He is the Olin Professor of English and American Studies, Emeritus, at Wesleyan University.
Other books by Richard Slotkin
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