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4.0 

Forests of the Heart

By Charles de Lint
Forests of the Heart by Charles de Lint digital book - Fable

Publisher Description

In the Old Country, they called them the Gentry: ancient spirits of the land, magical, amoral, and dangerous. When the Irish emigrated to North America, some of the Gentry followed...only to find that the New World already had spirits of its own, called manitou and other such names by the Native tribes.

Now generations have passed, and the Irish have made homes in the new land, but the Gentry still wander homeless on the city streets. Gathering in the city shadows, they bide their time and dream of power. As their dreams grow harder, darker, fiercer, so do the Gentry themselves--appearing, to those with the sight to see them, as hard and dangerous men, invariably dressed in black.

Bettina can see the Gentry, and knows them for what they are. Part Indian, part Mexican, she was raised by her grandmother to understand the spirit world. Now she lives in Kellygnow, a massive old house run as an arts colony on the outskirts of Newford, a world away from the Southwestern desert of her youth. Outsider her nighttime window, she often spies the dark men, squatting in the snow, smoking, brooding, waiting. She calls them los lobos, the wolves, and stays clear of them--until the night one follows her to the woods, and takes her hand....

Ellie, an independent young sculptor, is another with magic in her blood, but she refuses to believe it, even though she, too, sees the dark men. A strange old woman has summoned Ellie to Kellygnow to create a mask for her based on an ancient Celtic artifact. It is the mask of the mythic Summer King--another thing Ellie does not believe in. Yet lack of belief won't dim the power of the mast, or its dreadful intent.

Donal, Ellie's former lover, comes from an Irish family and knows the truth at the heart of the old myths. He thinks he can use the mask and the "hard men" for his own purposes. And Donal's sister, Miki, a punk accordion player, stands on the other side of the Gentry's battle with the Native spirits of the land. She knows that more than her brother's soul is at stake. All of Newford is threatened, human and mythic beings alike.

Once again Charles de Lint weaves the mythic traditions of many cultures into a seamless cloth, bringing folklore, music, and unforgettable characters to life on modern city streets.



At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

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77 Reviews

4.0
“De Lint does his take on the Jim Carrey movie, The Mask, with much better characterization, much deeper themes, and a lot less humor. The basic idea of this book is that there are a bunch of displaced spirits, who were brought over to the New World from Ireland with the Irish immigration. Here, they lack a home, and to get one, they will have to displace some Indian spirits. (So its the spiritual equivalent of our westward expansion?). To do this, their best hope is to revive the Green Man, a badass in the spiritual world and have him lead them. The mask is the key. The people involved all revolve around the Neford artist community. A sculptor, who might be able to make the mask. An accordionist who works in a record store. Her brother. The owner of the record store. Several people who are living in an artists colony in the outskirts of Newford. As usual, de Lint excels with his characterizations. His people, and his spirits seem real. Here, there I have one exception to that. Donal is the brother of the accordionist. The two of them were raised, sort of, by a drunken father. When he left?/died? (my memory loss here), they became homeless, but eventually raised themselves out of it. Donal harbors an extreme amount of bitterness and anger, and this part of his character is a key to what happens in the book. But it came as a bit of a surprise to me. In retrospect, it kind of makes sense, but I don't think de Lint did a great job of bringing this out towards the beginning. Instead, at the start, I was thinking of him as being kind of one dimensional. That's not always a bad thing, but in this book it struck me as a weakness. Another issue I have with this is that the book seems to begin somewhere in the middle of act 2. And that's true for most of the character. Lots of things that are important to the story are actually part of the back story. For example, Donal's relationship with the Gentry (the Irish spirits) begins before the book, as does his failed relationship with Ellie, the sculptor. This simple struck me as being a kind of odd narrative choice, but I don't necessarily think it was bad and I'm not sure it was the wrong choice. And then there are a few loose ends. At the beginning of the book, Hunter, who owns the record store, is in financial straits and does not know how he will keep the store afloat. That's his main issue, but the book simply drops it as we get into the fey aspects. And it never gets addressed afterwards. Here, I don't necessarily think that everything needs to be neatly wrapped, but this dangling thread was kind of glaring. I often read people saying that they think de Lint works better in his short stories. Wth Dreams Underfoot, I can sort of see that. But the other two story collections seem inferior to me than the Newford novels. I like this one about as much as I liked Trader, which is quite a bit. Next up is The Onion Girl, which I understand strongly features Jilly Coppercorn, one of his best recurring characters. I'm looking forward to that.”

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