3.5
Effingers
ByPublisher Description
Three generations of German Jewish family undergo the tumult, upheaval, and brutality of nineteenth- and twentieth-century history in this panoramic and skillfully nuanced family drama, rich with gossip and incident, capturing a Germany now lost to time.
Gabriele Tergit’s Effingers is a novel, at once epic and intimate, about the lives and fates of three generations of a German Jewish family. Beginning in 1878 and ending in 1948, we follow the Effingers, a family of modest craftsmen from southern Germany, who are joined through marriage to two families of high-society financiers in Berlin, the Goldschmidts and the Oppners. The Effingers soon rise to prominence as one of the most important German industrialist families in Berlin, but with the outbreak of World War I, they fall on hard times and must navigate the tumultuous changes of the Weimar Republic.
Full of parties and drama and delicious gossip, and featuring a kaleidoscopic cast of characters, Effingers is a keenly observed account of German Jewish life in all its richness and complexity. Tergit's precise and limpid prose dazzles in Sophie Duvernoy's elegant translation.
Woefully underrated when it first appeared in 1951, and only recently rediscovered in Germany, Effingers is a meditation on identity and nationality that establishes Tergit as one of the most significant writers of the twentieth century.
Gabriele Tergit’s Effingers is a novel, at once epic and intimate, about the lives and fates of three generations of a German Jewish family. Beginning in 1878 and ending in 1948, we follow the Effingers, a family of modest craftsmen from southern Germany, who are joined through marriage to two families of high-society financiers in Berlin, the Goldschmidts and the Oppners. The Effingers soon rise to prominence as one of the most important German industrialist families in Berlin, but with the outbreak of World War I, they fall on hard times and must navigate the tumultuous changes of the Weimar Republic.
Full of parties and drama and delicious gossip, and featuring a kaleidoscopic cast of characters, Effingers is a keenly observed account of German Jewish life in all its richness and complexity. Tergit's precise and limpid prose dazzles in Sophie Duvernoy's elegant translation.
Woefully underrated when it first appeared in 1951, and only recently rediscovered in Germany, Effingers is a meditation on identity and nationality that establishes Tergit as one of the most significant writers of the twentieth century.
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Meet readers like you in the Fable For You feed, designed to build bookish communitiesEffingers Reviews
3.5
“Such a fascinating and interesting book. Incredibly grand in its scope from a macro perspective; it covered decades and generations of a Jewish family in Germany.
From the micro perspective, it was often a much smaller story; one that covered the day-to-day life and minutiae of the family, as they worked, searched for love, and spent time together.
And of course, hanging over all of this, is the time the book is set in. As the 1920s and 1930s approached, everything felt weightier. There was this dread that set in; I could feel it all in my chest as the characters debated what they should do and how bad things were actually getting.”
About Gabriele Tergit
Gabriele Tergit (1894–1982), born Elise Hirschmann, was a German novelist and reporter. She began writing newspaper articles in the early 1920s under her pseudonym and eventually rose to prominence at the Berliner Tageblatt as one of Berlin's best-known court reporters. Her first novel, Käsebier Takes Berlin (available from NYRB Classics) cemented her reputation as a brilliant social satirist of the Weimar Republic. In 1933 she narrowly evaded arrest by the Nazis, fleeing to Prague and Palestine before settling in London with her husband and son. Alongside essays and articles, she wrote a number of books of fiction and nonfiction, including two novels, unpublished in Tergit’s lifetime, that were recently published in Germany to critical acclaim: So war’s eben (That’s How It Was) and Der erste Zug nach Berlin (The First Train to Berlin).
Sophie Duvernoy is a literary translator and scholar focusing on the literature and aesthetic theory of the Weimar Republic. Her translation of Gabriele Tergit’s Käsebier Takes Berlin was published by New York Review Books in 2019 and shortlisted for the 2021 Schlegel-Tieck translation prize. She is co-editor of Representing Social Precarity in German Literature and Film, and her writing and translations have appeared in Modern Language Notes, The Paris Review Online, Los Angeles Review of Books, No Man’s Land, and The Offing.
Sophie Duvernoy is a literary translator and scholar focusing on the literature and aesthetic theory of the Weimar Republic. Her translation of Gabriele Tergit’s Käsebier Takes Berlin was published by New York Review Books in 2019 and shortlisted for the 2021 Schlegel-Tieck translation prize. She is co-editor of Representing Social Precarity in German Literature and Film, and her writing and translations have appeared in Modern Language Notes, The Paris Review Online, Los Angeles Review of Books, No Man’s Land, and The Offing.
Other books by Gabriele Tergit
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