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3.0 

Echo's Bones

By Samuel Beckett & Mark Nixon
Echo's Bones by Samuel Beckett & Mark Nixon digital book - Fable

Publisher Description

In 1933, Chatto & Windus agreed to publish Samuel Beckett's More Pricks Than Kicks, a collection of ten interrelated stories—his first published work of fiction. At his editor's request, Beckett penned an additional story, "Echo's Bones", to serve as the final piece. However, he’d already killed off several of the characters—including the protagonist, Belacqua—throughout the book, and had to resurrect them from the dead. The story was politely rejected by his editor, as it was considered too imaginatively playful, too allusive, and too undisciplined—qualities now recognized as quintessentially Beckett. As a result, "Echo's Bones" (not to be confused with the poem and collection of poems of the same title) remained unpublished—until now, nearly eight decades later.

This little-known text is introduced by the preeminent Beckett scholar, Dr. Mark Nixon, who situates the work in terms of its biographical context and textual references, examining how it is a vital link in the evolution of Beckett's early work. Beckett confessed that he included "all I knew" in the story. It harnesses an immense range of subjects: science, philosophy, religion, literature; combining fairy tales, gothic dreams, and classical myth. This posthumous publication marks the unexpected and highly exciting return of a literary legend.

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7 Reviews

3.0
“echo's bones more like echo's boner”
“Idk how to feel about it, couldn't make much sense of it.. will have to reread to get something out of it”
“Samuel Beckett, in September 1933 dispatched a collection of ten stories to the London Publishing house Chatto & Windus. Acknowledging receipt of the manuscript and accepting the same as worthy of printing, Charles Prentice, the Editor at Chatto & Windus, solicited yet another story from Beckett which would 'help the book' by adding weight to the content. Beckett decided to salvage a few excerpts from an earlier work of his titled "Dream of Fair to Middling Women" that was alienated consistently by many publishing works, and put together the eleventh story as requested for by Prentice. Within three days of receiving this story, Prentice politely declined to publish it by stating that "it was a nightmare" which was "just too terribly persuasive". Eighty years of obscurity later, "Echo's Bones" makes an appearance courtesy Mark Nixon, the director of the Beckett International Foundation at the University of Reading. It is not at all hard to fathom as to why Echo's Bones was given the cold shoulder when it was first offered to the publishers. An extraordinarily fragmented story with a frightening criss-cross of genres, Echo's Bones is convolution extraordinaire. It is so hard to even find a connecting thread of cohesion that links the pages. The very fact that a 51 page story needs to be accompanied by a 70 page annotation speaks volumes about the intricateness of the work. More Joycean in its rendition and more complicated than the most obstinate of riddles, Echo's Bones poses a formidable challenge to both patience and perspicacity. Calling itself a 'triptych', Echo's Bones revolves around the experiences and exploits of a resurrected man named Belacqua. Once released from the bondage of death, Belacqua proceeds to have involuntary trysts with a prostitute, a giant Lord who is incapable of procreation and who demands Belacqua's 'assistance' to birth his progeny and a groundsman named Doyle, whom Belacqua witnesses sitting on the latter's own headstone. Echo's maze is a whorl of incomprehensible words, irreverent wit and inconvenient wisdom. Without an introduction and the handy annotation it is close to impossible to even attempt a reading of this singularly peculiar story that would make you tear your hair out in vexed exasperation and sheer futility. As a mild example, just try digesting this passage: "Belacqua did as he was bid, because a little bird told him, do you see that his hour had come and that it would be rather more graceful , not to say more sensible to take it by the forelock, and looked down on a bald colossus, the Saint Paul's skull gathered into a ropy dundraoghaires and a seamless belcher, dangling to and fro that help to holy living a Schenectady putter, clad in amaranth caoutchouc cap-a-pie, a cloak of gutta percha streaming back from the barrel of his bust, in his hand a gum tarboosh". I rest my case.”

About Samuel Beckett

Samuel Beckett (1906-1989), one of the leading literary and dramatic figures of the twentieth century, was born in Foxrock, Ireland and attended Trinity College in Dublin. In 1969, Beckett was awarded the Nobel Prize in Literature and commended for having "transformed the destitution of man into his exaltation."

Mark Nixon is Reader in Modern Literature at the University of Reading, where he is also the Director of the Beckett International Foundation. He has published widely on Samuel Beckett’s work, and is an editor of the Journal of Beckett Studies, a member of the editorial board of Samuel Beckett Today/Aujourd’hui, and Co-Director of the Beckett Digital Manuscript Project. He is the current President of the Samuel Beckett Society.

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