3.0
Diary of a Void
ByPublisher Description
A BEST BOOK OF THE YEAR: The New Yorker · NPR · WBEZ’s Nerdette · The New York Public Library · Literary Hub
A New York Times Editors’ Choice
“One of the most passionate cases I’ve ever read for female interiority, for women’s creative pulse and rich inner life.” ―Katy Waldman, The New Yorker
“Always expect the unexpected when you’re not expecting.” ―Sloane Crosley
A woman in Tokyo avoids harassment at work by perpetuating, for nine months and beyond, the lie that she’s pregnant in this prizewinning, thrillingly subversive debut novel about the mother of all deceptions, for fans of Convenience Store Woman and Breasts and Eggs
When thirty-four-year-old Ms. Shibata gets a new job to escape sexual harassment at her old one, she finds that as the only woman at her new workplace—a manufacturer of cardboard tubes—she is expected to do all the menial tasks. One day she announces that she can’t clear away her coworkers’ dirty cups—because she’s pregnant and the smell nauseates her. The only thing is . . . Ms. Shibata is not pregnant.
Pregnant Ms. Shibata doesn’t have to serve coffee to anyone. Pregnant Ms. Shibata isn’t forced to work overtime. Pregnant Ms. Shibata watches TV, takes long baths, and even joins an aerobics class for expectant mothers. She’s living a year of rest and relaxation, and is finally being treated by her colleagues as more than a hollow core. But she has a ruse to keep up. Before long, it becomes all-absorbing, and with the help of towel-stuffed shirts and a diary app that tracks every stage of her “pregnancy,” the boundary between her lie and her life begins to dissolve.
Surreal and absurdist, and with a winning matter-of-factness, a light touch, and a refreshing sensitivity to mental health, Diary of a Void will keep you turning the pages to see just how far Ms. Shibata will carry her deception for the sake of women, and especially working mothers, everywhere.
A New York Times Editors’ Choice
“One of the most passionate cases I’ve ever read for female interiority, for women’s creative pulse and rich inner life.” ―Katy Waldman, The New Yorker
“Always expect the unexpected when you’re not expecting.” ―Sloane Crosley
A woman in Tokyo avoids harassment at work by perpetuating, for nine months and beyond, the lie that she’s pregnant in this prizewinning, thrillingly subversive debut novel about the mother of all deceptions, for fans of Convenience Store Woman and Breasts and Eggs
When thirty-four-year-old Ms. Shibata gets a new job to escape sexual harassment at her old one, she finds that as the only woman at her new workplace—a manufacturer of cardboard tubes—she is expected to do all the menial tasks. One day she announces that she can’t clear away her coworkers’ dirty cups—because she’s pregnant and the smell nauseates her. The only thing is . . . Ms. Shibata is not pregnant.
Pregnant Ms. Shibata doesn’t have to serve coffee to anyone. Pregnant Ms. Shibata isn’t forced to work overtime. Pregnant Ms. Shibata watches TV, takes long baths, and even joins an aerobics class for expectant mothers. She’s living a year of rest and relaxation, and is finally being treated by her colleagues as more than a hollow core. But she has a ruse to keep up. Before long, it becomes all-absorbing, and with the help of towel-stuffed shirts and a diary app that tracks every stage of her “pregnancy,” the boundary between her lie and her life begins to dissolve.
Surreal and absurdist, and with a winning matter-of-factness, a light touch, and a refreshing sensitivity to mental health, Diary of a Void will keep you turning the pages to see just how far Ms. Shibata will carry her deception for the sake of women, and especially working mothers, everywhere.
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Meet readers like you in the Fable For You feed, designed to build bookish communitiesDiary of a Void Reviews
3.0
“I loved this so much.
Dairy of a Void follows Shibata, a woman in a misogynistic working environment who impulsively fakes a pregnancy. At work, all additional menial tasks fall to Shibata. She must clean the office and microwave, make coffee, distribute gifts from clients to all the employees and the list goes on and on. One day, sick of it all, she tells her coworker that she cannot clean up the coffee cups because she is pregnant and the smell bothers her. And so the lie is born.
I was so engrossed in this story. As Shibata continues to fall deeper and deeper into her deception I needed to know how it would all end.
I loved following this character. She becomes so engrossed in her lie that it appears she starts to believe it.
The theme of loneliness is also highly prevalent in this novel. At one point, Shibata reflects that she had not spoken to anyone all weekend. She has friends and family but isn’t particularly close to anyone and there are several times where she is portrayed to be an outsider looking in, witnessing the relationships of others.
When she pretends to be pregnant however, she becomes a part of something. Whether it be a pregnant stranger she sees and feels a connection to, or the group she becomes a part of at mommy and me aerobics, there is a sense that as a mother, she would be slightly less alone.
I also enjoyed the portrayal of Japan’s particular culture of misogyny. At the office, when everyone learns Shibata is pregnant, she is treated with deference. Pregnant women are to be treated well. However, it is a double edged sword, as seen when a mother complains about her struggles of doing everything on her own because of her husband’s lack of help. And so the unique loneliness of motherhood is revealed.
I thought this was a complex and layered glimpse into pregnancy and motherhood and the way women are treated not just in the workplace, but by society as a whole. It was well written and almost humorous. I loved everything about it.”
About Emi Yagi
Emi Yagi is an editor at a Japanese women’s magazine. She was born in 1988 and lives in Tokyo. Diary of a Void is her first novel; it won the Dazai Osamu Prize, awarded annually to the best debut work of fiction.
David Boyd (translator) has twice won the Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. He has translated fiction by Mieko Kawakami, Izumi Suzuki, and Hiroko Oyamada, among others. He is an assistant professor of Japanese at the University of North Carolina at Charlotte.
Lucy North (translator) is the translator of The Woman in the Purple Skirt by Natsuko Imamura as well as fiction and nonfiction by over half a dozen other modern and contemporary Japanese writers, including Taeko Kono, Fumiko Enchi, Hiroko Oyamada, and Hiromi Kawakami. Her fiction translations have appeared in Granta, Words Without Borders, and The Southern Review, as well as in The Oxford Book of Japanese Short Stories, The Columbia Anthology of Modern Japanese Literature, and Found in Translation: 100 of the Finest Short Stories Ever Translated.
David Boyd (translator) has twice won the Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. He has translated fiction by Mieko Kawakami, Izumi Suzuki, and Hiroko Oyamada, among others. He is an assistant professor of Japanese at the University of North Carolina at Charlotte.
Lucy North (translator) is the translator of The Woman in the Purple Skirt by Natsuko Imamura as well as fiction and nonfiction by over half a dozen other modern and contemporary Japanese writers, including Taeko Kono, Fumiko Enchi, Hiroko Oyamada, and Hiromi Kawakami. Her fiction translations have appeared in Granta, Words Without Borders, and The Southern Review, as well as in The Oxford Book of Japanese Short Stories, The Columbia Anthology of Modern Japanese Literature, and Found in Translation: 100 of the Finest Short Stories Ever Translated.
Other books by Emi Yagi
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