4.0
Craft in the Real World
ByPublisher Description
An NPR Best Book of the Year
This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review)
The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces?
Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, "When we write fiction, we write the world."
This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review)
The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces?
Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, "When we write fiction, we write the world."
Download the free Fable app
Stay organized
Keep track of what you’re reading, what you’ve finished, and what’s next.
Build a better TBR
Swipe, skip, and save with our smart list-building tool
Rate and review
Share your take with other readers with half stars, emojis, and tags
Curate your feed
Meet readers like you in the Fable For You feed, designed to build bookish communitiesStay organized
Keep track of what you’re reading, what you’ve finished, and what’s next.Build a better TBR
Swipe, skip, and save with our smart list-building toolRate and review
Share your take with other readers with half stars, emojis, and tagsCurate your feed
Meet readers like you in the Fable For You feed, designed to build bookish communitiesCraft in the Real World Reviews
4.0
“Michael Salesses challenges some of the long established norms of writing workshops. This book is full of helpful advice for writers to develop their craft. I feel relieved of the pressure to write or critique in a particular way. The process is fluid and can be (sometimes should be) guided by the author to be most helpful to the author. I appreciate the list of banned words and phrases and the emphasis on asking questions to promote thought vs. suggesting or prescribing fixes. Most importantly, Salesses asks us to pay more mind to culture and bias. One's experience as a reader is just one perspective and does not represent all readers.”
“Changing forever how I critique writing.”
“The argument and suggestions Salesses has for revising workshops makes sense and compels me to approach my next workshop class with a fresh perspective. The insistence that the dominant culture in the US has influenced and held back writing workshops for decades is a great observation, and Salesses provides some strong advice on how to move forward.
However, Salesses’s style choices felt performative for the left leaning academic audience (e.g. insisting on using she/her pronouns for all the examples). This makes me feel off put sometimes knowing it was done to get a reaction.
Also, what is up with the slander against Curious George (2006)!! Yes, stealing artifacts from other countries is morally not great, but Salesses claims that the man in the yellow hat causing destruction in NYC is enabling white male privilege. Dude, get a grip. It’s like he’s never heard of gag comedy in children’s animation before.”
About Matthew Salesses
MATTHEW SALESSES is the author of three novels, Disappear Doppelgänger Disappear, The Hundred-Year Flood, and I'm Not Saying, I'm Just Saying, and a forthcoming essay collection. He has taught at Coe College, the Ashland MFA program, the Tin House and Kundiman summer workshops, and writing centers like Grub Street and Inprint, among others. He has edited fiction for Gulf Coast, Redivider, and The Good Men Project and has written about craft and creative writing workshops for venues like NPR's Code Switch, The Millions, Electric Literature, and Pleiades. He was adopted from Korea and currently lives in Iowa.
Other books by Matthew Salesses
Start a Book Club
Start a public or private book club with this book on the Fable app today!FAQ
Do I have to buy the ebook to participate in a book club?
Why can’t I buy the ebook on the app?
How is Fable’s reader different from Kindle?
Do you sell physical books too?
Are book clubs free to join on Fable?
How do I start a book club with this book on Fable?
