3.5
Conversations with Beethoven
ByPublisher Description
Inspired by the famous composer’s notebooks, this biographical novel offers “a perfect portrait of an irascible genius” and “revelatory fossils of the last year of Beethoven’s anguished life” (Edmund White)
Deaf as he was, Beethoven had to be addressed in writing, and he was always accompanied by a notebook in which people could scribble questions and comments. In a tour de force fiction invention, Conversations with Beethoven tells the story of the last year of Beethoven’s life almost entirely through such notebook entries. Friends, family, students, doctors, and others attend to the volatile Maestro, whose sometimes unpredictable and often very loud replies we infer. A fully fleshed and often very funny portrait of Beethoven emerges. He struggles with his music and with his health; he argues with and insults just about everyone. Most of all, he worries about his wayward—and beloved—nephew Karl.
A large cast of Dickensian characters surrounds the great composer at the center of this wonderfully engaging novel, which deepens in the end to make a memorable music of its own.
Deaf as he was, Beethoven had to be addressed in writing, and he was always accompanied by a notebook in which people could scribble questions and comments. In a tour de force fiction invention, Conversations with Beethoven tells the story of the last year of Beethoven’s life almost entirely through such notebook entries. Friends, family, students, doctors, and others attend to the volatile Maestro, whose sometimes unpredictable and often very loud replies we infer. A fully fleshed and often very funny portrait of Beethoven emerges. He struggles with his music and with his health; he argues with and insults just about everyone. Most of all, he worries about his wayward—and beloved—nephew Karl.
A large cast of Dickensian characters surrounds the great composer at the center of this wonderfully engaging novel, which deepens in the end to make a memorable music of its own.
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Meet readers like you in the Fable For You feed, designed to build bookish communitiesConversations with Beethoven Reviews
3.5
Aaron Vowels
Created almost 4 years agoShare
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“I’ve always been an ardent fan of Beethoven. Even now, I finished reading this book while listening to his string quartets. This book covers the span of the last year of his life which is rife with disagreements, taunting, pain, misfortune, anger, disbelief…all the things that you might imagine would figure into the last days of Beethoven. Based on these writings, which feature the mostly one-sided conversations that Beethoven had with a variety of family, friends, and rivals, he was ever the sarcastic, vindictive, but ultimately mortal and repentant voice that we’ve come to know him as. It’s an interesting work in that we can merely imagine most of what Beethoven’s replies must have been based on the written conversation from his visitors. If you’re a fan of the Great Maestro, this may interest you. If you’re indifferent, this may hold no sway.”
Roshan Shankar
Created about 4 years agoShare
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Chloe
Created about 5 years agoShare
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Joseph Ray
Created almost 8 years agoShare
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About Sanford Friedman
Sanford Friedman (1928–2010) was born in New York City. After graduating from the Horace Mann School and the Carnegie Institute of Technology, he was stationed as a military police officer in Korea, earning a Bronze Star. He began his career as a playwright and theater producer, and was later a writing instructor at Juilliard and SAGE (Services and Advocacy for GLBT Elders). “Ocean,” a chapter from Friedman’s first novel, Totempole, was serialized in Partisan Review in 1964 and won second prize in the 1965 O. Henry Awards. Totempole (1965; available as an NYRB Classic) was followed by the novels A Haunted Woman (1968), Still Life (1975), and Rip Van Winkle (1980). At the time of his death, Friedman left behind the unpublished manuscript for Conversations with Beethoven.
Richard Howard is the author of seventeen volumes of poetry and has published more than one hundred fifty translations from the French, including, for NYRB, Marc Fumaroli’s When the World Spoke French, Balzac’s Unknown Masterpiece, and Maupassant’s Alien Hearts. He has received a National Book Award for his translation of Les Fleurs du Mal and a Pulitzer Prize for Untitled Subjects, a collection of poetry. His most recent book of poems, inspired by his own schooling in Ohio, is A Progressive Education (2014).
Richard Howard is the author of seventeen volumes of poetry and has published more than one hundred fifty translations from the French, including, for NYRB, Marc Fumaroli’s When the World Spoke French, Balzac’s Unknown Masterpiece, and Maupassant’s Alien Hearts. He has received a National Book Award for his translation of Les Fleurs du Mal and a Pulitzer Prize for Untitled Subjects, a collection of poetry. His most recent book of poems, inspired by his own schooling in Ohio, is A Progressive Education (2014).
Other books by Sanford Friedman
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