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4.0 

Blackouts

By Justin Torres
Blackouts by Justin Torres digital book - Fable

Publisher Description

Winner of the National Book Award for Fiction

A Best Book of the Year: The New York Times Book Review, NPR, The Washington Post, Time, BookPage, The New York Public Library, Powell's

A Must-Read: The New York Times, Time, Los Angeles Times, Chicago Tribune, The Guardian, Boston Herald, Literary Hub, The Rumpus, The Bay Area Reporter, Datebook, Electric Literature, The Stacks, Them, Publishers Weekly

“Sweeping, ingenious . . . A kiss to build a dream on.” —Maureen Corrigan, NPR’s Fresh Air

From the bestselling author of We the Animals, Blackouts mines lost histories—personal and collective.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book—Sex Variants: A Study of Homosexual Patterns—and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan’s tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?

A book about storytelling—its legacies, dangers, delights, and potential for change—and a bold exploration of form, art, and love, Justin Torres’s Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made—a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

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5 Reviews

4.0
Loudly Crying Face
Characters change and growDiverse charactersMulti-layered charactersBeautifully writtenDarkHeartbreakingThought-provoking
“This is probably one of the most gorgeous books I’ve ever read. Thoroughly original and full of breathtaking prose.”
“As I said in my stories immediately upon finishing, THIS BOOK. This one pairs so well with Study for Obedience, which I just finished and loved from the Booker longlist, in the fact that you are completely unmoored from a meaningful sense of history all while history plays such a meaningful role in the story. The history piece itself is so important. Being knowingly reductive, it is important to point out how so many of the straight authored “literary” books that center Queer narratives are “taboo” historical romances, AIDS stories, or modern tales of assault on Queer characters. Meanwhile, Queer authors of “literary” books are truly interrogating and repurposing history, see also The New Life and After Sappho. Being able to have honest historical conversations is incredibly novel. To that end, the repurposing of history really sticks out here in a way that reminds me of last year’s FSG title Devil House and this year’s Biography of X. What is history? What is reality? What parts of reality is an author allowed to play with to create real “Truth?” Just a brilliant read. Cannot recommend enough.”

About Justin Torres

Justin Torres is the author of We the Animals, which won the VCU Cabell First Novelist Award, was translated into fifteen languages, and was adapted into a feature film. He was named one of the National Book Foundation’s 5 Under 35, a Wallace Stegner Fellow at Stanford University, a fellow at the Radcliffe Institute for Advanced Study at Harvard University, and a fellow at the New York Public Library’s Cullman Center. His short fiction has appeared in The New Yorker, Harper’s Magazine, Granta, Tin House, and The Washington Post. He lives in Los Angeles and is an associate professor of English at UCLA.

Other books by Justin Torres

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