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3.5 

Aspects

By John M. Ford & Neil Gaiman
Aspects by John M. Ford & Neil Gaiman digital book - Fable

Publisher Description

Enter the captivating world of John M. Ford's final masterpiece, where politics, magic, and adventure intertwine in an epic tale unlike any other.

Join Varic, Coron of the Corvaric Coast, as he navigates the halls of Parliament. Uncover mysteries with the Archmage Birch in Strange House. Traverse the mountains alongside the Palion Silvern, Sorcerer, in the company of Lady Longlight.

In Aspects, John M. Ford, hailed as "the best writer in America, bar none" by Robert Jordan, weaves a tapestry of abdicated kings, sorcerous machine guns, ancient empires, and divination. This extraordinary work of high fantasy and sword and sorcery showcases Ford's unparalleled storytelling prowess and imaginative worldbuilding.

Described as "a great writer who is really fucking brilliant" by Neil Gaiman, Ford's Aspects is a must-read for fans of epic fantasy, gaslamp fiction, and alternative history. Immerse yourself in a realm where magic, palace intrigue, and speculative fiction converge, promising an unforgettable journey through the brilliance of one of America's greatest science fiction and fantasy authors.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

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25 Reviews

3.5
Smiling Face with Heart-Eyes“I have never read an unfinished book before but picked this one up due to the glowing reports of John M Ford’s writing, especially with this book, After reading it, I think it is a tragedy that we won’t be able to read more from this author. His writing is absolutely beautiful and I was completely engaged with his characters and the world he was building, This is one example where I wished the Dreaming was real and I could go to Morpheus’ library to read the books Ford was never able to write.”
“3.5 stars, https://reviews.metaphorosis.com/review/aspects-john-m-ford/ <strong>Summary </strong> The Coron Varic is a distant ruler - spending all his time in the capital, Lystourel, working on revisions of the Constitution rather than in his cold home province. A master of Parliamentary procedure and intrigue, he nonetheless finds time to visit Strange House, where the mysterious and diverse guests of the mysteriously long-lived Strange form all manner of new connections - both romantic and dangerous. <strong>Review </strong> The first thing to know is that this book is unfinished. At 380 pages long, it feels like it’s only beginning to set its stage when it abruptly ends with two isolated paragraphs of a new chapter, and the epigraphs for five more parts – each part so far being approximately 200 pages, broken up randomly into 50 page chapters. It was only on reading Neil Gaiman’s introduction that I realized the book was incomplete, but even there he seems to suggest only one chapter is missing, not the bulk of what would have been a massive book – and apparently the start of a series. I was introduced to Ford through his <em>Liavek</em> stories, and followed through to a handful of novels – one Liavek-related, one YA SF, and one adult SF. None had any similarity to this book, which is a large, complex, political fantasy with a well-developed industrial world and plenty of subtle allusions. I’d have thought they were written by different people (this one perhaps by Richard Grant), though perhaps I should reexamine Ford’s earlier books. <em>Aspects</em> is carefully thought out and very well written – the prose in particular is smooth, effective, and masterful. The characters, sadly, are less successful- Ford lays the trail for important character traits, but seems so concerned with delicate subtlety that he forgets to show us the characters he’s talking about, and there’s simply too much that’s opaque. Even the book’s central figure, the Coron Varic, remains mysterious – as many other characters insist on telling us – at the book’s stopping point. The net result was that I greatly admired the prose, but found the characters distant, and more intellectually interesting than personally engaging. The magic system as well is important to the story but underdescribed, and the narrative is sometimes muddled. Is the book worth reading? It was certainly an eye opener for me about Ford’s literary strengths. On the basis of his other work, I’d classified him as, for me, a B-list author – interesting, but not particularly noteworthy. To my mind, the writing in this book is head and shoulders above my recollection of his prior books. If you like good prose, you’ll enjoy reading this. On the other hand, the book is unfinished, reaching no conclusions or resolutions, leaving its characters and their arcs hanging – and, since Ford died almost 20 years ago – there will be no more. It would be difficult to find an author to carry on even this first book or match its style, let alone complete a series. I assume that is why, so long after Ford’s death, this incomplete volume is being published. I’d have thought Ford’s audience was limited at this date, but some big name authors think otherwise, so perhaps I’m mistaken. If you’re one of his true fans, this is the best writing of his that I recall, though perhaps if my judgment is mistaken, my memory is as well. I do wish that the book had been described as a partial manuscript, which it most certainly is, and addressed it to fans, who would have enjoyed it. I’m not sure that newcomers will be well pleased with a very strong introduction and … nothing else. But perhaps they’ll go on to Ford’s other work, and perhaps that’s the intent here. Still, best to be open about it, I think. <strong>I received this book for free in exchange for an honest review.</strong>”

About John M. Ford

John M. Ford was, in his lifetime, a favorite author of many writers better known than he was, including Neil Gaiman and Robert Jordan. He won World Fantasy Awards for both his 1983 novel The Dragon Waiting and his 1988 poem "Winter Solstice, Camelot Station," and he won the Philip K. Dick Award for his 1993 novel Growing Up Weightless. His Star Trek novel The Final Reflection (1984) essentially created the nuanced Klingon culture seen later in the feature films, and his other novel in that universe, How Much For The Planet? (1987), was a Star Trek tale told as a Gilbert & Sullivan musical, complete with songs. He was a genius. He died in 2006.

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