3.0
A Game of Hide and Seek
ByPublisher Description
A decade-spanning love story from an author who is “the missing link between Jane Austen and John Updike” (The Independent)
Haunted by unspoken tensions and stifled ardor, two lovers navigate shifting expectations and societal changes in inter-war England.
The mid-twentieth century British novelist Elizabeth Taylor numbered among her admirers Elizabeth Bowen, Ivy Compton-Burnett, and Kingsley Amis. She also regularly published stories in The New Yorker for close to two decades. For all that, her work, as steely as it is delicate, remains the secret of a small number of intensely devoted readers.
The publication of her finest novel, A Game of Hide and Seek, long unavailable in the United States, should help to change that. This is an unabashed love story, capturing all the uncertainty and inevitability and deceptiveness of true love, tracking the shifting currents of emotional life, and never yielding to melodrama. Set in Britain between the wars—a time of transition between old convention and new ways—the book’s heroine is Harriet, the only child of a suffragette, whom we meet as a shy and domestic and not especially smart or pretty girl. At eighteen she falls in love with Vesey, but after Vesey must go away, she marries another man, Charles, and bears a child. Then Vesey returns.
Love is at the center of the book, but so too is Taylor’s extraordinary knack for depicting characters. The minor figures in the book—from Harriet’s mother’s friend Caroline, with her progressive politics, to Charles, his coworkers, and his mother, to Betsy with her schoolgirl crush on her Greek teacher—are as memorable as the passion and heartache of Harriet and Vesey.
Haunted by unspoken tensions and stifled ardor, two lovers navigate shifting expectations and societal changes in inter-war England.
The mid-twentieth century British novelist Elizabeth Taylor numbered among her admirers Elizabeth Bowen, Ivy Compton-Burnett, and Kingsley Amis. She also regularly published stories in The New Yorker for close to two decades. For all that, her work, as steely as it is delicate, remains the secret of a small number of intensely devoted readers.
The publication of her finest novel, A Game of Hide and Seek, long unavailable in the United States, should help to change that. This is an unabashed love story, capturing all the uncertainty and inevitability and deceptiveness of true love, tracking the shifting currents of emotional life, and never yielding to melodrama. Set in Britain between the wars—a time of transition between old convention and new ways—the book’s heroine is Harriet, the only child of a suffragette, whom we meet as a shy and domestic and not especially smart or pretty girl. At eighteen she falls in love with Vesey, but after Vesey must go away, she marries another man, Charles, and bears a child. Then Vesey returns.
Love is at the center of the book, but so too is Taylor’s extraordinary knack for depicting characters. The minor figures in the book—from Harriet’s mother’s friend Caroline, with her progressive politics, to Charles, his coworkers, and his mother, to Betsy with her schoolgirl crush on her Greek teacher—are as memorable as the passion and heartache of Harriet and Vesey.
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Meet readers like you in the Fable For You feed, designed to build bookish communities8 Reviews
3.0
Jim
Created 6 months agoShare
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Simon Sleightholm
Created 9 months agoShare
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Sarah-Beth Morrison
Created over 1 year agoShare
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“In this novel, a teenage attraction is revisited years later, but it is perhaps too late. As teenagers, Harriet is shy and a disappointment to her proud suffragette mother. Vesey is unreliable and an inspiring actor. They are drawn to each other one summer, but the attraction remains largely unsaid and unexplored. Years later, Harriet has married a much older man and is the mother of a teenage girl. Vesey is a second-rate actor, and still as elusive and unreliable as other. Yet he represents things missing from Harriet's life: passion and excitement that is missing from her mundane existence.
At heart, this novel examines the pull of the characters' desires even when it's not in their best interest. It also explores the idea of missed chances and if there is the possibility to revisit those chances. At one moment in time, Harriet and Vesey were poised on the edge of a great love affair. It is a memory they have sentimentally valued for years afterward. When they meet again as adults, it seems like a chance to finally seize their chance. But time has altered them both and, in many ways, their connection is unsatisfying to them both. In short, you can't go back in time.
Taylor does a good job at presenting morally ambiguous characters and letting her readers come to their own conclusions. Neither Harriet or Vesey were particularly likeable characters to me and I struggled to feel connected to their story or care about them. Well written and subtle storytelling but not a particularly enjoyable read for me.
3.5 stars”
Kathryn
Created over 2 years agoShare
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Kristina S
Created about 7 years agoShare
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About Elizabeth Taylor
ELIZABETH TAYLOR (1912–1975) was born into a middle-class family in Berkshire, England. She held a variety of positions, including librarian and governess, before marrying a businessman in 1936. Nine years later, her first novel, At Mrs. Lippincote’s, appeared. She would go on to publish
eleven more novels, including Angel (available as an NYRB Classic), four collections of short stories (many of which originally appeared in The New Yorker, Harper’s, and other magazines), and a children’s book, Mossy Trotter, while living with her husband and two children in Buckinghamshire. Long championed by Ivy Compton-Burnett, Barbara Pym, Robert Liddell, Kingsley Amis, and Elizabeth Jane Howard, Taylor’s novels and stories have been the basis for a number of films, including Mrs. Palfrey at the Claremont (2005), starring Joan Plowright, and François Ozon’s Angel (2007). In 2013 NYRB Classics will publish a new selection of Taylor’s short stories.
CALEB CRAIN is the author of American Sympathy, a study of friendship between men in early American literature. He has written for The New Yorker, The New York Review of Books, and n+1. His novel Necessary Errors will be published in 2013.
eleven more novels, including Angel (available as an NYRB Classic), four collections of short stories (many of which originally appeared in The New Yorker, Harper’s, and other magazines), and a children’s book, Mossy Trotter, while living with her husband and two children in Buckinghamshire. Long championed by Ivy Compton-Burnett, Barbara Pym, Robert Liddell, Kingsley Amis, and Elizabeth Jane Howard, Taylor’s novels and stories have been the basis for a number of films, including Mrs. Palfrey at the Claremont (2005), starring Joan Plowright, and François Ozon’s Angel (2007). In 2013 NYRB Classics will publish a new selection of Taylor’s short stories.
CALEB CRAIN is the author of American Sympathy, a study of friendship between men in early American literature. He has written for The New Yorker, The New York Review of Books, and n+1. His novel Necessary Errors will be published in 2013.
Other books by Elizabeth Taylor
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